The ongoing need for social distancing has meant the celebrations for the 2021 Record Store Day had to be split into two days, giving everything something of a fractured feel. In addition, the absence of David Bowie and a few other notable heavyweights this time around has contributed in making it all feel a little more subdued than usual. That’s not to say there aren’t a few great items up for grabs, of course, and for the second drop – scheduled for Saturday 17th July – these are our must-have bits. As always, your mileage my vary and all prices are a solid estimate.
Following a couple of DIY recordings, UK hardcore/noise punk duo Get The Fuck Outta Dodge turned their hand to the covers album. ‘These Songs Aren’t Ours’ brought an equal mix of punky chaos and fun when James (bass/shouting) and Ren (drums/more shouting) hammered their way through the expected (tunes by Black Flag, Misfits and Rollins Band), to the inspired (a fuzz heavy version of The Cure’s ‘Screw’) to the joyous and bizarre (hardcore reworkings of tunes by the oft forgotten Whale and 80s pop stars Fuzzbox). It showed why a covers album need not be lazy or uninspired. After what felt like about thirty six hours, the never resting duo returned with a new EP, proving their minimalist hardcore had a lot more to give, before ending the year with another full-length. At the point you’d expect their drums/bass/shouting approach to be wearing thin, ‘Buzzkill’ actually presented GTFOD at their most visceral on one of the best releases of 2020.
Four months later, the duo released a second onslaught of cover tunes, ‘These Songs Still Aren’t Ours’, which very much follows the same pattern as their first covers release. Nothing is off limits; everything is subjected to a barrage of distortion, and as before, their choice of material is both classic and off-piste. With twenty two tracks filling a strictly limited cassette, it really gives fans a lot to enjoy.
After 1984’s gargantuan greatness with the dominance of Frankie and meteoric rise of Madonna and Prince, 1985 had a lot to measure up to. …And indeed, some have said it’s a rather more forgettable year for pop.
In terms of pop, 1982 was a strong year: Madness took a further step towards songwriting sophistication with their album ‘The Rise & Fall’, Prince made a huge breakthrough with his ‘1999’ double platter of much filthiness and Phil Collins showed us that the previous year’s ‘Face Value’ wasn’t just a one-off solo success when his “tricky second album” spawned a #1 hit single and a few of his best solo tunes.
Jennie Vee’s second solo EP ‘Die Alone’ was a masterpiece of retro cool. Taking elements from The Cranes, The Cure, Lush and early Echo & The Bunnymen, the release was a superb homage to everything that was brilliant about 4AD and electro-goth from the early 90s. [Read a review of the EP here.]
In the three years since that release, the one-time Tuuli frontwoman has been incredibly busy. She’s recorded a full length album, played with Courtney Love and supported Echo & The Bunnymen and Manic Street Preachers. Earlier in 2007, she also landed the job as bassist with Josh Homme’s Eagles of Death Metal.