Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got a really arty track with a strong 70s undercurrent, a disarmingly honest number from a young, up and coming singer-songwriter, some vaguely baroque adult oriented pop, a legendary band fusing different styles in an unexpected way…and more. As always, we hope you find something new to enjoy!
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Shannon Smith’s breakthrough single, 2023’s ‘Dance The Night Away’ introduced the Australian singer songwriter in fantastic style. The track’s upbeat nature, driven by stabbing keys, bright horns and a shamelessly infectious, wordless chorus presented a near perfect homage to the AM radio sounds of the past. It would have been easy for him to follow that with something equally uplifting, but instead, he chose to explore moody balladry and country influences on the tracks that followed.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This time around, we welcome back a cult Canadian act and an equally cult Boston based singer-songwriter. We also share a couple of metal oriented tracks pitching at very different influences, and applaud the most inventive single to date from a genre-bending Italian band. Between those, you’ll find other tracks from the underground and, as always, we hope you’ll find something new to enjoy…
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In the summer of 2025, singer songwriter Rich Allo released ‘Sabre Teeth’, a strange single that blended styles in a most unexpected way. Its underlying acoustic guitar lines had a hint of influence from post grunge in their chord pattern, but drew more from anti-folk in the way the recording used a lo-fi mix and live sound to present itself. The live sound also allowed for the sound of fingers on frets to be audible, giving the core of the verse a genuine character. Rich then contrasted that with a huge vocal where falsetto sounds made for an unnatural match. However, given time to adjust, the track shared a melodic core that was huge, and the second half of the number – sharing more of a rock-centic voice and some very busy lead guitar work – played a little more towards tradition, all the while clinging onto something that didn’t immediately sound like anyone else.
In the summer of 2025, producer Charlie Nieland released ‘The Ocean Understands’, a four track EP that took him from the realms of the technical aspects of a behind the scenes role and into the performing spotlight. Mixing elements of dark pop, melodic rock, goth and shoegaze, the material took on a grand scope, and despite often sharing a moody edge, managed to remain very accessible. That’s more than can be said for this album’s opening number.