Their 1987 world dominating ‘Kick’ album – boasting no fewer than five hit singles – was reissued in 2002 as a two disc deluxe edition, again in 2012 as a 3CD/DVD box set and yet again in 2017 as a modified version of the previous box, missing a few items but priced far more sensibly. Despite shifting a lot of album units, however, the rest of their back catalogue has been overlooked with regard to the deluxe reissue market.
In 2018, singer songwriter Roo Panes released his album ‘Quiet Man’ to critical acclaim. A performer often likened to Nick Drake, he promoted the album with an extensive run of live dates including a sold out show at London’s Shepherd’s Bush Empire.
A year on, ‘Quiet Man’ is to receive a deluxe reissue. The new edition includes three previously unreleased studio tracks – including the new single ‘Commentator’ (listen below) and six live tracks recorded at the Shepherd’s Bush gig.
Over the years, the early part of The Fall’s wonderful and frightening back-catalogue has been reissued various times. In May 2019, Cherry Red Records will give the first two albums their best reissues to date.
The first two releases in Cherry Red’s “Fall Sound” reissue campaign, ‘Live At The Witch Trials’ and ‘Dragnet’ will be reissued on high quality vinyl. ‘Witch Trials’ will be available as a limited edition red vinyl, while ‘Dragnet’ will appear as a limited “splatter” vinyl and include a bonus replica 7″ single of ‘Rowche Rumble’.
Greenslade’s first three studio albums presented a band experiencing a period of rapid growth. In ‘Bedside Manners Are Extra’, released at the tail end of 1973, they released an album with a bigger focus on songs than their debut recording of just a few months earlier. Their third LP, ‘Spyglass Guest’ (released in the summer of ’74) found Dave and his eponymously named group delving further into jazz rock, unleashing something which sometimes came closer to Hatfield & The North than previous Greenslade recordings.
One of the more overlooked items within Richard Wright’s back-catalogue, perhaps even more so than his two solo recordings (1978’s ‘Wet Dream’ and 1996’s ‘Broken China’), ZEE was a one-off project. A collaboration with Fashion’s Dave Harris, the band only released one album, but 1984’s ‘Fashion’ is an album that’s continued to be ignored over the years. Perhaps this is due to it not sounding like anything his fans were used to, but maybe it’s place as the elephant in the room of Floyd history runs deeper. Even Wright himself later considered ZEE “an expensive mistake“.