Andrei Tarkovsky has long been considered one of the most important figures in the history of Russian cinema. He died in 1986, at the age of 54, following a battle with cancer which left fans of world cinema forever wondering what he could’ve achieved had he lived a full and rich life. Nevertheless, his 1983 film ‘Nostalgia’ is something that, once seen, is never forgotten. The slow climax featuring one of the lead characters slowly traversing an empty swimming pool mightn’t be one of the big screen’s most epic scenes, but it shows perfectly how Tarkovsky was a man who was fully aware of how much tension could be gleaned from something so relatively mundane.
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HOWARD JONES – Like To Get To Know You Well: Live At High Wycombe Town Hall
Much like its predecessor ‘In Japan’, ‘Like To Get To Know You Well’, the second long form visual release from Howard Jones to be released in 1984, spent far too many years stuck in a VHS limbo as far as UK audiences are concerned. It was given a Laserdisc release in Japan, but would be over thirty years later that the show would finally make its hi-def debut in Britain. Eventually brought to the deserving fans via Cherry Red Records’ extensive HoJo reissue programme which has yielded – among other things – huge box sets of ‘Humans Lib’ and ‘Dream Into Action’, and a lavish 5CD set of BBC related recordings, the long overdue reissue goes the extra mile by coupling the original video material with a full CD soundtrack for the very first time.
SLAYER – Hell Awaits: 40th Anniversary
Although Slayer would become absolute legends of thrash and their third and fifth albums (‘Reign In Blood’ and ‘Seasons In The Abyss’) would be considered genre classics, the band’s formative years presented a less polished band in many ways. Their debut LP ‘Show No Mercy’ had the speed, but not necessarily the songs or production values. Tracks like ‘Evil Has No Boundaries’ and ‘Die By The Sword’ had a sense of force, but with Tom Araya’s vocal sounding like a man shouting into a bucket and the higher registers of Jeff Hanneman’s guitar cutting through everything at ear bleeding levels, it wouldn’t be until later, via the band’s live shows circa 1991, that the true potential in these songs would become clear. With several years’ distance, other numbers like ‘Fight Till Death’ and ‘Face The Slayer’ just sound a little naive, even if in 1983, Slayer’s speed and aggression was forging a new path for metal.
THE FALL – Fall Sound Archive Vol. 12: Fall Heads Roll
On 2003’s ‘The Real New Fall LP’, Mark E. Smith and his band sounded somewhere near the top of their game. Some of their more critical fans might claim the record didn’t quite capture the fire of their early work, but the record boasted more than its fair share of memorable performances. It showed the now veteran act in a position of strength and would be a hard act to follow, if not impossible, especially considering Smith had a habit of shaking things up whenever he felt things might be going too well.
Watch: Levellers release video for “lost” track ‘Alive’ ahead of ‘Zeitgeist’ reissue
Sometimes, “lost” tracks are lost for a reason. One in a while, though, a gem will surface from the vaults that has the power to make fans not only sit up and listen, but actually question why such a great recording could’ve been shelved in the first place.
Such is the case with ‘Alive’, a track from the Levellers archive, released as a single as part of the pre-release promotion for a 30th anniversary reissue of the band’s much loved fourth album ‘Zeitgeit’. Huge fans will, of course, recognise ‘Alive’ as having pride of place as part of the bonus tracks on the “special edition” of the Levellers’ 2017 release ‘Notes From The Underground’, but its inclusion on a reissue of a far more celebrated release is guaranteed to introduce it to new ears.