MUCK AND THE MIRES – Beat Revolution

In 2004, at a time when half the world was hopped up on the sounds of the Franz Ferdinand debut and Arcade Fire’s ‘Funeral’ (an album the Canadian band have never bettered), and at a time when Green Day’s ‘American Idiot’ was making inroads into being a best seller, somewhere in the wilds of Boston, Muck and The Mires were making garage rock noises for a much smaller audience. Not that the love poured into the tunes on their ‘Beginner’s Muck’ LP was any the lesser; the energy on that record spoke for itself, and the band’s love of Flamin’ Groovies and other retro fare propelled them forward, subsequently making stronger albums whilst retaining admiration from the underground power pop fans.

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Listen: Mitchell Young unveils new single ‘1984’

As we live in a constantly connected world, it sometimes feels as if we’re under constant surveillance. With that in mind, and inspired by the George Orwell novel of the same name, ‘1984’ by Mitchell Young is an anthem that’s fitting for the modern age. Lyrics concerning a fear of even “turn[ing] on the phone” and a suggestion that people feel a need to suppress their feelings seem especially pointed at a time where it doesn’t always feel like there’s much to be positive about.

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Listen: Josaleigh Pollett shares new track ‘The Witness’

Towards the end of 2025, singer songwriter Josaleigh Pollett released ‘Radio Player’, a complex track that took in various indie and electronica styles, along with other moods, to create a recording that felt as if it were always shifting. The fact that it never felt forced or unsettled was testament to some great hooks and a soaring vocal that contrasted the music’s more mechanical elements brilliantly.

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THE REAL GONE SINGLES BAR #157

This visit to the Singles Bar comes absolutely loaded with treats. Among the eight picks you’ll discover a great reggae number, a cameo from a bona fide legend of Britpop, some goth oriented sounds, a riot grrrl inspired banger…and more besides. With a great variety, this represents everything we love about the SB, and hope you’ll find something to love too.

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YAWNING BALCH – Volume Four

With its bright sounding guitar lines and prominent bass groove, ‘Pyramid of Djoser’, the lead track from Yawning Balch’s fourth opus, opens a little more forcefully than you’d possibly expect from a typical Yawning Balch recording. In many ways, its busier feel, evident even from its first few bars, comes closer to sounding more like a Yawning Man leftover. This doesn’t make it in any way bad, of course: for desert rock fans, the immediacy with which the quartet hit a rocky groove here creates something striking; something which, stylistically, sits at the pinnacle of desert rock coolness.

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