MAX RAEL – Slightly Less Than Human / When The Only Winning Move Is Not To Play

Posted on June 22, 2025 by Real Gone

Max Rael’s debut single ‘Brighter Future’ pushed the alternative envelope by applying spoken word passages to bleak sounding synth backdrops, creating an almost dystopian musical landscape. The number’s darker side was effectively offset by the History of Guns man offering listeners a positive lyric, where he suggested we can look to the past and learn from mistakes to forge a brighter future. Issued at a time when the world seemed incredibly negative with seemingly little escape from a political turmoil, Rael’s optimism – no matter how obtusely applied – offered fans of less mainstream music a small beacon of hope.

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REAL GONE GOES OUT: Supergrass – Dreamland, Margate, Kent 20/6/2025

Posted on June 21, 2025 by Real Gone

It’s just before 9pm. Attracting one of the biggest crowds ever seen for a support slot at Dreamland, Jake Bugg has just delivered a fantastic set, and the venue’s DJ has just traded in the 90s bangers for a JJ Cale track. The subsequent arrival of ‘Whipping Post’ by The Allman Brothers Band lends the feeling that this is at the request of Supergrass mainman Gaz Coombes, keen to build a more retro atmosphere before his band takes the stage.

At 9pm sharp, the Allmans get cut off in their prime; the stage is bathed in red light and Sweet’s classic ‘Blockbuster’ provides a rousing intro tape for the arrival of four figures who are about to whip the audience into a frenzy. Or at least that’s the theory.

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Fall Sound Archive Vol. 10: Middle Class Revolt

Posted on June 20, 2025 by Real Gone

In some ways, The Fall’s 1994 release, ‘Middle Class Revolt’ has spent most of its life living in the shadow of its immediate predecessor, ‘The Infotainment Scan’. With the help of a rather spirited cover of ‘Lost In Music’, ‘Infotainment’ found its way into the consciousness of the more casual listener and, as a whole, the album showcased a more commercial sounding Fall at somewhere near their best. In retrospect, ‘Middle Class Revolt’ has actually aged just as well, and a few of the record’s deeper cuts provide a really interesting listen.

The 2025 super deluxe release from Cherry Red Records, wisely, takes a tried and tested approach when it comes to re-presenting the album with a wealth of interesting period extras. Mirroring the ‘Infotainment’ box set, the vastly expanded ‘Revolt’ greets the fans as a six disc tome, with the original long player joined by a disc of studio based extras and a generous four disc helping of sounding live material drawn from different sources.

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THE REAL GONE SINGLES BAR #109

Posted on June 19, 2025 by Real Gone

There’s an obvious theme of “crossover” for this visit to the Singles Bar, with half of the featured tracks comprising two jazz fusion tracks, a blend of punk ‘n’ roll and alternative metal, and an unexpected noise from a French band that are really pushing the boundaries. With a great post-punk track and a familiar melodic punk act also sharing recent material, there are also a couple of very familiar touchstones here too, making it a very strong mix of material all round. As always, we hope you find something new to enjoy.

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VARIOUS ARTISTS – Feelin’ Alright?: Mod, Rock, Funky Prog & Heavy Jazz 1967-1972

Posted on June 18, 2025 by Real Gone

When it comes to curating a period specific, multi disc anthology – particularly covering the exciting, ever evolving sounds of the late 60s and early 70s – there are few that do the job anywhere near as well as Cherry Red Records and their family of associated labels. That said, it doesn’t initially feel as if ‘Feelin’ Alright?’ will be one of their better efforts. By kicking off with Deep Purple’s over-exposed ‘Hush’, reaching for Spencer Davis Group’s ‘I’m A Man’ in record time, presenting what feels like the hundredth compilation outing for Small Faces’ ‘Song of A Baker’, and having the first disc also play host to the titular track from Traffic – tracks that’ll need absolutely no introduction – there’s a strong feeling of deja vu.

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