On 2024’s ‘Good To Me’, Shannon Curtis delivered ten slabs of synth pop that sounded so authentically 80s, you might even believe a few of the songs were rarities from the era. With the album released at a time where a lot of musicians appeared to be obsessed with the 90s, this even more retro sound hit like a musical ray of sunshine. At the album’s best, the bright sound – heavily reliant on unnatural sounding keys and a strong vocal – showcased some great choruses. The multi-voiced ‘Serenity’ could’ve been culled from an old teen film soundtrack; ‘Sweat & Butterflies’ worked a pulsing heart that had clearly been inspired by OMD’s ‘If You Leave’ and a couple of Fiction Factory numbers, and the title cut showcased a great contrast between big beats and a more sedate voice, ending the record in a slightly more thoughtful manner. Even with a couple of tunes adding slightly more of a light goth/dreampop reverb, this was a record that offered a lot of entertainment for the 80s obsessed listener.

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