THE REAL GONE SINGLES BAR #160

Welcome back to the Real Gone Singles Bar, the place where we explore some of the best individual tracks to land in our inbox over the past few weeks. This time around, we’re thrilled to share a long overdue return from a power pop legend, a well crafted number from a new name in retro pop, a perfect slab of soul getting a timely re-promotion, a perfectly formed and very melodic instrumental track, and more besides. As always, we hope you find something new to enjoy.

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SILK – Auralux

From the very beginning of their musical journey, Silk quickly gained a reputation for creating a huge wall of sound. Their love of pioneers My Bloody Valentine quickly became obvious to all, but on their early singles, this Irish shoegaze act captured enough energy and pure force to bring a classic sound to the masses in a genuinely impressive way.

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THE DAMBUILDERS – Shrine 2026 / I Hope We’re Not Too Late

Back in the 90s, The Dambuilders released a string of albums that gained a cult following. With competition from the likes of Cracker, Sponge, and a wealth of other alternative bands circa 1994/5, they never hit the “big leagues”, at least in the truest sense, but they were one of those acts that really seemed to capture the essence of the US “college rock” sound. In the UK, their fifth album ‘Ruby Red’ could occasionally be spotted in London’s bargain bins, and for those who took the time to listen, it was an album that offered much to enjoy – especially for lovers of the equally undervalued Green Apple Quick Step and Mother May I.

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Listen: The Fierce And The Dead unveil ‘The 1234’ ahead of new album

The Fierce And The Dead’s fourth album, ‘News From An Invisible World’, marked a bold step forward for the band. With that record, they took their already distinctive sound from an instrumental, post-rock sphere into something song based with the addition of Kevin Feazey’s vocals. This had the effect of making a couple of their songs sound a little like a more interesting Queens of The Stone Age with proggy inflections, but it proved they were willing to experiment more than most rock bands at the time of release.

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