By opening with a blusterous rhythm, Emi Pop’s ‘No Puedo Dormir’ is a track that immediately grabs the listener’s attention. The sharply delivered drums and bass set up a great punky rhythm during the intro, but the number is actually far more melodic than first impressions suggest.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This time out, we bring a new track from a great pop punk act, a great sounding number written in record time, a perfect blend of metal and industrial on a brilliantly aggressive workout, an equally great number that’ll appeal to lovers of melodic singer songwriter material, and more besides. Obviously, as 2025 begins to take shape, we’ll be bringing you many more treats… In the meantime, we hope there’s something new to enjoy here!
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For this visit to the Singles Bar, we bring you a very special selection of tracks. As we get ready to wave goodbye to another year, these singles represent the very best of 2024’s alternative Xmas wares. We’ve got some great pop from an unfamiliar name, a brilliant pop-rock tune from Scotland, a massive old school country banger, a superb reworking of a genuine festive classic and more besides. Merry Christmas, everyone. (Normal service will resume at the SB next week!)
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Welcome back to the Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. For lovers of synth based pop, this selection offers a couple of genuine treats. You’ll also find a superb acoustic reworking from a critically acclaimed singer songwriter, an industrial tinged rocker, some wholesome pop punk from Australia, and more besides. As always, we hope you find something new to enjoy…
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Since their formation in 2015, emo punk band Brackish have always drawn from a nostalgic sound. On the self titled album from 2022, the pop punk influence of Get Up Kids can be found jostling alongside even more emo-centric elements, creating something that’s both punchy and melodic. Despite some of the vocals being a little more off-kilter than might be considered ideal, the record supplied thirty one minutes of top drawer riffs, throwing the listener into a musical landscape that showed how, sometimes, it’s better to take an established sound and recycle it well than try to create something completely new.