K7s – Mondo Bizarro

When K7s debut album ‘Take 1’ appeared in 2018, it presented itself as an instant classic. In the middle of a pandemic of emo inflected punk, and a bunch of pop punk releases that had too much focus on the pop, the US/Spanish combo gave everyone a perfect reminder of the punk sounds they loved in the 90s. Its half an hour packed in riff after riff, drawing from Ramones, Screeching Weasel and The Apers, quickly setting itself up as an unmissable disc.

The world waited for ‘Take Two’. …And waited. Then, finally, at the beginning of 2021, the band returned with a new work, but fans would still be left waiting for a new disc of self-penned bangers.

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Check out the new video from Octopus Montage

Towards the end of 2020, Octopus Montage released three digital singles with accompanying video clips. In November, ‘A Shortcut (To The Unconscious Mind)’ gave their followers and potential new fans a glimpse of their heavier side via various glitchy metalcore riffs. Combined with a deep growling vocal, the track was reminiscent of earlier works by Her Dying Regret.  [Watch the video here.]

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THE JASONS / BLACK RUSSIANS – Saving The World From… EP

In terms of split releases, this EP from The Jasons and The Black Russians ranks among the most high octane discs ever. With three songs apiece, the US horror punks and the ragged “Sovietcore” troupe do battle across a blistering fifteen minutes where classic Ramones obsessions sit beside sharper punk influences, and by the time The Black Russians go all out punk ‘n’ roll on an old Jasons tune, there’s even a suggestion that this could be just a little broader in appeal than your average Ramonescore record. Okay, maybe not that much broader, but it’s always a pleasure to hear a great band branching out a little.

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Grab a FREE 33 track sampler from Melted Records

Long before Malibu Lou Mansdorf launched Rum Bar Records, he was involved with Melted Records, a New York label that delivered various power pop and pop punk releases between 1995-2001.  The label was home to The Cretins, Darlington, 30 Amp Fuse – a great punk band whose last album was produced by Descendents men Stephen Egerton and Bill Stevenson – an a handful of lesser-known names.

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PAVID VERMIN – The Beach Boys Never Surfed EP

For a lot of musicians, 2020 became about making the best of a bad situation. With a global pandemic putting gigs on hold and stopping bands getting together in dedicated rehearsal spaces and studios, people began to work in isolation. That’s easy enough when you’re someone like Jeff Lynne, a multi-instrumentalist with a state of the art home setup and a loyal audience who’ll wait years for your new record, but not quite so convenient when you’re a punk musician who’s used to having close buddies and the interaction with a small crowd in small basement venues.

The lack of outside world didn’t stop Glenn Robinson. The prolific punker went into overdrive throughout the year and with his one man band, Pavid Vermin, set about creating a string of releases that called back to a classic 90s sound. Having already released ‘Throw Me In The Trash’ before lockdown hit, he kept up momentum with the largely excellent ‘Cutting Corners’, a classic pop-punk disc calling back to the glory days of Lookout! Records, and ‘Lookout! Pavid Vermin Ruins Some Songs’ – almost the very thing Pavid Vermin was created for: a covers album featuring material written by many of your favourite bands.

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