SWEATPANTS PARTY – Fanno Bella Figura EP

In 2022, Austrian punks Sweatpants Party released a self-titled debut album which encapsulated a superb blend of sharp edged pop punk and classic sounding Ramonescore. It was the kind of record that seemed set to take on Screeching Weasel at their own game, but with a combination of fun songs and a frontman far less likely to punch women in public, it actually bested the Chicago veterans, paving the way to more greatness in the future. Two years on, ‘Wee Little Songs’ took the band’s sound further into Weasel territory, and by packing twelve songs into just eight minutes, the material harked back to the fun fillers on Kevin Aper’s old Apers records. If you didn’t love the Sweatpants gang after this, it’s likely you never would.

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Listen: Tooth Gore releases new single ‘Scum Of The Sea’

Over the past year, one man band Tooth Gore has released some fantastic singles and a really enjoyable album. For a musician working in a DIY fashion, Kobi Joe has covered a lot of ground in a really short time, peaking with a tour of the Philippines in early 2026.

Showing no signs of slowing down, a new Tooth Gore single has just been released, and it’s one of their best tracks to date. ‘Scum of The Sea’ opens with a steady beat and a chopping guitar, initially hinting at a strong blend of power pop and surf rock, before introducing a fuzzy guitar that owes more to an old alternative rock sound. From solid foundations, a quiet verse serves up a very 60s influenced riff alongside a melodic vocal, forming one of the band’s most accessible tracks.

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Watch: Vancouver pop punks Chief State share new video for ‘April Showers’

At the end of 2025, the release of the ‘No Brakes’ single found Vancouver’s Chief State in great form. Sounding like a tribute to the melodic punk sounds of the late 90s, the track fused the thunderous rhythmic qualities of peak No Use For A Name with the poppier edges of Sum 41, utilising strong harmony vocals throughout. Although a really melodic chorus should’ve been the track’s best feature, the already impressive performance boasted an even better middle eight where the pop punk riffs gave way to something a little sharper, showing how tight the band’s rhythm section could be.

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THE REAL GONE SINGLES BAR #136

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. Following the festive selection, this collection of tracks returns to “regular programming”, with a slab of garage rock, a pleasingly subtle work from an Irish singer songwriter, a previous release given a huge remix, a perfect pop punk track, and more besides. As always, we hope you find something new to enjoy!

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