A collaboration between members of Dutch punk bands The Windowsill and Accelerators, Giant Eagles takes both groups’ pop-punk roots, applies slabs of synthesiser and massive power pop choruses to create sounds that show off an almost equal love of Ramonescore and early 80s new wave. Seven years on from their debut, the Eagles’ comeback disc ‘Second Landing’ presents thirty two minutes of near perfection, where catchy as hell choruses mesh with some brilliantly constructed and shamelessly retro tunes.
Approximately eighteen months after releasing two new songs on a split EP with the Raging Nathans, Chicago pop-punk legends Parasites gave fans yet more previously unreleased material in February 2020 as part a split with Dutch punks Lone Wolf. At the time of release, it started to feel like an eternity since the world last saw a new full length disc from Dave Parasite – his preference for releasing a couple of new songs every couple of years certainly keeps the fans ever hoping – but any new music is welcome, especially with one of the tracks from ‘Passport Split Series Vol. 4’ approaching somewhere near top-drawer Parasites.
Best known as a member of The Ergs!, Worriers and sometime collaborator with For Science and House Boat, the ever-busy Mikey Erg embarked on a solo career in 2011. His second full-length album, 2019’s ‘Waxbuilt Castles’, found Erg moving away from his typical pop-punk and taking more of a singer-songwriter stance. Often veering into (pre-country music) Ben Kweller territory, it sort of suited him, but came as a surprise for some fans.
For those who disliked Mikey’s more reflective side on that album, some consolation comes with 2020’s ‘Bon Voyage’ EP’ moving back to punk. The EP was specially commissioned by Stardumb Records and Mikey immediately thought about the punk EP’s of his youth, of how they were often a gateway to a new band, often featured exclusive tracks and often featured a cover tune along the way. ‘Bon Voyage’ ticks all of those boxes.
When approaching a release called ‘Saving The Genre, And You Know It…’, it’s likely you’re expecting the performers to carry a certain amount of arrogance. You’re certainly heading in with high expectations. You might even expect that a title like that would be setting itself up for a fall…
NOPE! This split release between Euro punks Jagger Holly and The Windowsill is bloody amazing.
Green Day have undergone a few dramatic changes over the years. They’ve grown from being a straight up pop-punk band to one that seemingly knows no boundaries. They’ve dabbled with elements of 60s rock (the title track from their 2000 album ‘Warning’ brazenly ripped off The Kinks and the same album took in other retro styles previously untouched by the trio); delivered one of their generation’s most pointed political statements (‘American Idiot’); dabbled with a rock opera (’21st Century Breakdown’) and even staged a piece of musical theatre based on the ‘American Idiot’ album. Through it all, they have held on to a very loyal fanbase. You could accuse Green Day of many things (even becoming dull, as evidenced on their ‘Uno’, ‘Dos’ and ‘Tre’ trilogy from 2012), but you could never accuse them of standing still.