When Doug Aldrich left Whitesnake in 2013 after an on-off seven year stint, it was potentially a huge blow to the band. For Doug, though, it was the definitely right thing to do, since the ‘Snake had been trading on goodwill for years and by the time of the ‘Forevermore’ tour in 2011, to suggest David Coverdale’s voice wasn’t…quite up to scratch would be putting it very politely. Since then, as an in demand musician, Aldrich has hardly kept a low profile: he’s recorded with melodic rock supergroup Revolution Saints, had success with hard rockers The Dead Daisies and latterly resurrected his hard rock outfit Burning Rain.
Combining the talents of Blanc Faces vocalist Robbie LaBlanc and Chilean multi-instrumentalist Daniel Flores, Find Me are a band that recycle classic 80s rock sounds with love. The musicians were brought together by Frontiers Records’ President Serifino Perugino in 2013 to try and fulfil his dream of creating “the perfect AOR record”. Their debut album ‘Wings of Love’ was an excellent example of the genre, though measured against many of the 80s classics, to call it “perfect” would, perhaps, be a little overzealous. The odd thing is that Perugino had something close to his dream under his nose the whole time with Work of Art’s 2008 debut ‘Artwork’, but nevertheless, he wanted more. The fans loved it, of course; the reviews were almost all positive and Find Me eventually recorded a second album at the end of 2015.
As the next couple of years ticked by, with Flores reconvening The Murder of My Sweet in 2017 and working with Palace in 2018 and no word from LeBlanc, a third Find Me record seemed increasingly unlikely. …And then, at the beginning of 2019, the band announced their big return…much to the delight of most who’d followed them previously.
Chas West will be familiar to most listeners as having been the vocalist for Bonham, as well as fronting Craig Goldy’s short lived band Resurrection Kings. With regards to the latter, West always felt like the weak link. A band that included Goldy and drummer Vinny Appice could never be all bad, but West’s tendencies to sing everything at full volume made the album hard going in places.
Two years on, West Bound finds Chas working with cult hero Roy Z, a man best known for his work with Bruce Dickinson in the 90s as well as being a key member of Tribe of Gypsies. Throughout this debut, West still approaches many of the songs at full pelt and with maximum metal theatrics, but with much better material to hand and with Z’s having a more sympathetic style, it’s more obvious why he’s been in demand as a session vocalist in the past. In this case, West’s overblown style combined with Z’s vast array of riffs actually results in a great album.
Always a much loved band in melodic rock circles, Harem Scarem have released some great albums over the years, with their first two albums very much at the forefront of the scene at the point where the AOR glory days of the 80s reached their end.
Over the following years, Harry Hess, Pete Lesperance and band continued to make great music, with their 2002 release ‘Weight of The World’ ranking among their best.
Outside of Japan, most of their albums have been increasingly hard to find, but March 2019 will set that right when most of the band’s catalogue is set for release as a lavish fourteen CD set, pairing the first twelve albums with an “Early Years” disc and an exclusive disc of rarities. The good news for fans looking to fill those collection gaps is that each of the individual releases also includes the relevant bonus tracks from the Japanese releases and more besides.
The full details can be found in the press release below.
Toby Hitchcock first came to prominence in the early 2000s as frontman with Pride of Lions, a melodic rock band masterminded by Survivor legend Jim Peterik. With a combination of big performances and old style AOR hooks, the band found an instant fan base within the AOR community, despite treading a very familiar musical path. Outside of that band, Hitchcock has also achieved cult success with an on/off solo career and, if anything, his 2011 solo debut ‘Mercury’s Down’ featured performances that were even more bombastic.
His second solo album – 2019’s ‘Reckoning’ – offers fans exactly what they want, in that its eleven tracks couple some huge melodic rock sounds with an even bigger vocal. For those who love Toby, the album is probably everything they could ever wish for…and more. For the many who find his approach too big, it might be another album that fails to convince at first, but it’s worth persevering with since most of the material knocks spots off 2011’s ‘Mercury’s Down’.