A strong case could be made for Robin McAuley’s second solo album – 2021’s ‘Standing On The Edge’ – being one of the finest of the journeyman vocalist’s career. It seemed to hit a sweet spot in terms of melodies, and although the singer’s brand of melodic rock was hardly in fashion at the time of release, his love for the style appeared unwavering. The album’s strong musicianship and big choruses rivalled his earlier associations with the legendary Michael Schenker, and the record’s AOR slant made it a great fit alongside some of their other Frontiers Records releases from that time. Taking influence from Black Swan’s second album ‘Generation Mind’, 2023’s ‘Alive’ took a slightly harder turn musically, but still found Robin in great voice and an enthused mood.
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Watch: The Big Deal share new video for ‘Fairy of White’
Today sees the release of The Big Deal’s second album, ‘Electrified’. It’s a record that shows none of the signs of being a “difficult” follow up to an excellent debut, partly because the Serbian rockers have stuck to a familiar blueprint. The mix of bombast, melody, melodic metal crunch and soaring hooks works just as well for them the second time around.
THE BIG DEAL – Electrified
Serbian band The Big Deal released a very confident debut in 2022’s ‘First Bite’. Although their music wasn’t particularly original, the album’s best tracks showcased talented musicians, capable of sharing a huge sound, and whose brand of melodic rock and metal consistently hit the mark with strong callbacks to Pretty Maids and other Euro fare.
Following the album’s release, guitarist Srdjan Brankovic made a great contribution to Ronnie Romero’s ‘Raised On Radio’, but then seemed to disappear. Considering he guested on a number of albums up to this point, his relative quietness came as a surprise, but his fans will certainly welcome his return here, and find plenty to enjoy within his work on this second release from The Big Deal. Much like before, the best material places Brankovic’s guitar playing rather highly in the end mix, but there’s very much the feeling that this is a genuine band project, rather than merely just being the Srdjan show with a few in-house hired hands.
SUNSTORM – Restless Fight
When Joe Lynn Turner left Sunstorm it was truly the end of an era. The arrival of the always busy Ronnie Romero allowed the band to explore a harder sound on 2021’s ‘Afterlife’ and 2022’s ‘Brothers In Arms’, but they essentially sounded like a different band. They were still capable of enjoyable tunes, but for those who’d enjoyed hearing Joe belt out classic AOR tunes like ‘Gina’ (originally recorded by Michael Bolton before he turned his back on rock music in favour of an easy listening crowd) and ‘You Wouldn’t Know Love’ (a staple from Cher’s rock period), the “new” Sunstorm might not have always hit the mark.
The band’s eighth studio album ‘Restless Fight’ could easily have had its name inspired by Sunstorm’s inner turmoil. The only musician on this record to have appeared on a prior Sunstorm disc is Romero – the golden boy of the Frontiers Records stable – who with three years loyal service can now consider himself a Sunstorm veteran. Everyone else has been a member of this band since 2023. The record label obviously considers the Sunstorm name to be of some bankable value, even if, on paper, this seems a little too close to “Rod Evans’ New Deep Purple” for comfort. Moving on from any quibbles as to how this could possibly be anything more than another Ronnie Romero album, on its own terms, most of ‘Restless Fight’ is actually great. Far better than it had any real right to be.
FIND ME – Nightbound
Eleven years after the release of their well received ‘Wings of Love’ album, the bulk of Find Me’s ‘Nightbound’ sees the much loved AOR band often sticking to a tried and tested brand of melodic rock. A couple of tracks deviate from the formula to explore different avenues of classic rock, but it’s fair to say that this fifth album plays very much to the fan. Drawing influence from bands like Survivor – whose Jim Peterik scores co-writing credits – and more modern melodic rock bands like Lionheart, the material has no real care for fashion, but what it does, it does brilliantly. So much of the strength in the band’s sound is due to vocalist Robbie LaBlanc (sometime of Blanc Faces) who possesses one of the best melodic rock voices of his generation. When you have someone like Robbie on board, capable of summoning the power of Joe Lynn Turner circa 1985 and the huge melodic sounds of a peak Dave Bickler or Steve Overland, there’s little point in trying to branch out or add new twists to a classic rock backdrop – his huge voice handles the 80s influenced sounds so perfectly.