THE REAL GONE SINGLES BAR #181

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time around, you’ll find a ska banger, a track that reworks some very 90s influences into something with a lot of energy and a big heart, an angry anthem from an alternative singer songwriter exploring a new direction, a welcome re-promotion for a great track from an emo infused punk act, and more besides. As always, we hope you find something new to enjoy!

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THE REAL GONE SINGLES BAR #180

This visit to the Singles Bar is big on variety. New country sounds meet with a late 50s tribute; contemporary goths take a surprisingly catchy turn, while a well loved track is redressed in a strikingly new way, and a cult act share a perfectly arranged, 90s inspired workout that’s as good an advert as any for their current retrospective disc. With the eight picks exploring a genuinely broad mix of styles and genres, we hope – as always – you find something new to enjoy.

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DEARDARKHEAD – The Pendulum Swings

Deardarkhead whip up a superb sound on ‘Letting Go’. Building from a solid bassline, the number takes a mid tempo groove and layers that with a soaring guitar that shares a very lyrical sounding melody. The lead guitar tone is beautiful, bringing a pinch of very commercial goth to an already great sound. A key track on an instrumental album, the music here is so strong that a vocal really isn’t missed, despite Deardarkhead sharing something that would typically find space for a spacey, studio treated voice to bring an extra layer of atmosphere. In and out in a little over three minutes, this number relies on absolutely no padding, and as the last notes fade, you might feel a definite urge to hit the repeat button… This is an absolutely stunning track, and it turned out to be perfect way to advertise ‘The Pendulum Swings’ via a pre-release since, although the rest of the album is quite varied, it often resembles this track in a way that really doesn’t disappoint.

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THE REAL GONE SINGLES BAR #174

The Real Gone Singles Bar has always championed emerging talents, but in terms of doing so, this week’s column goes an extra mile, casting a spotlight on a couple of Scottish singer songwriters, a fantastic new track from a fantastic Irish performer and a US singer going against geographical location. For those who came to hear a couple of newer rock singles, we’ve got those too: one from a familiar name continuing their run of great releases, and one from a new band we hope will be big in 2027. As always, we hope you find something new to enjoy.

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Listen: Kabuki Love introduce ‘The Wolf Dance’

During the dark days of the 2020 lockdown, Kabuki Love released the ‘Psychosomatic’ EP, which featured ‘Spare Me’, a recording that dug deeply to revive a strong influence from 80s goth bands. Throughout the number, the guitars adopted the huge ringing tones of ‘Dreamtime’ era Cult, and rhythmically, everything pulled from the more commercial elements of Bauhaus to create something that felt like the ultimate throwback. In many ways, this became one of the band’s flagship tracks, capturing a toughness and a melodic edge that worked together to showcase musicians who clearly understood that things didn’t need to be overly complex to be interesting.

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