During their original run, Alcatrazz weren’t especially stable. They recorded three studio albums with three different guitarists, and went from humble beginnings to imploding within five years. Given how short-lived the band’s time in the sun actually was, it’s absolutely staggering how many bootleg recordings were made. In terms of popularity, they never managed to reach the heights of Iron Maiden or Judas Priest, and yet someone pushed the record button surreptitiously whenever and wherever the band appeared.
In 2018, fans were treated to a wealth of these unofficial recordings in an official capacity when HNE Recordings released a 6CD box set made up of various live tapes and studio rehearsals. The quality was often rough, much like old bootlegs you might have sourced from record fairs back in the 80s and 90s, but the historical value of some of the material just couldn’t be ignored. Surprisingly, there was enough material – and seemingly enough interest – for a second volume, and this 5CD set offers fans much more of the same.
The ongoing need for social distancing has meant the celebrations for the 2021 Record Store Day had to be split into two days, giving everything something of a fractured feel. In addition, the absence of David Bowie and a few other notable heavyweights this time around has contributed in making it all feel a little more subdued than usual. That’s not to say there aren’t a few great items up for grabs, of course, and for the second drop – scheduled for Saturday 17th July – these are our must-have bits. As always, your mileage my vary and all prices are a solid estimate.
Unforeseen sales in Australia for his 1977 LP (helped no end by a number one single) proved enough for the independent Ring-O Records to keep vocalist Graham Bonnet on their books. Eager to capitalise on this success, a follow up was recorded and released relatively quickly. Although ‘Graham Bonnet’ had been a largely patchy affair, compared to 1978’s ‘No Bad Habits’, it was a potential masterpiece.
In the late 60’s, singer-songwriter Graham Bonnet scored a massive hit single with cover of the Bee Gees’ ‘Only One Woman’ as part of pop duo The Marbles. Like so many pop acts of the era, The Marbles’ time at the top was brief. Neither of Marbles’ follow up singles or their album made anywhere near the same impact and they split soon after. Graham could’ve returned to his hometown of Skegness having at least briefly been a star, but realising he had more to give, he plugged on. He first made the move into recording advertising jingles as a means to pay bills, before releasing a couple more unsuccessful singles in the early 70s. Material for a solo album was recorded in 1974 but shelved for over forty years. After an appearance in the 1975 UK comedy film Three For All – starring his then partner Adrienne Posta – Bonnet finally made a step in a more positive direction career-wise when he signed a deal with the small Ring-O record label, with whom he released two full length albums, ‘Graham Bonnet’ (1977) and ‘No Bad Habits’ (1978).
Supergroups rarely last a long time. The combination of various egos usually leads to burnout pretty quickly. In the case of Blackthorne (featuring Graham Bonnet along with members of Quiet Riot, House of Lords and Skull), there wasn’t really anything you’d call genuine longevity, but their course ran a little longer than most. Formed in 1991, they released their debut ‘Afterlife’ in 1993 which led to some success in Japan. Work on a second album was undertaken in the mid-90s, but the band called it a day before the record was ready for release. The tapes remained unreleased until HNE Recordings unearthed them as part of their extensive (and excellent) Graham Bonnet reissue campaign. It’s a shame Blackthorne’s proposed second album couldn’t be heard in 1995, as at least half of it was an improvement over their first release.
Having already released ‘Afterlife’ with a handful of bonus tracks and finally gettiing ‘Blackthorne II: Don’t Kill The Thrill’ out to the fans in 2016, you’d expect that Cherry Red/HNE Recordings would have nothing more to give from Blackthorne’s all too short career, but this compilation (released in October 2019) actually adds a lot more to the band’s recorded legacy. Not so much a career overview with a few unreleased trinkets, this set is actually a vault of demos and alternate takes, peppered with a few album cuts to give a fairer overview of their short life span. Presented among the 44 tracks in this set are 30 unreleased cuts, a couple of which go right back to the band’s origins when the rhythm section featured White Lion men James Lomenzo and Greg D’Angelo. In other words, there’s a huge amount for fans to get their ears around.