Best remembered for big US hits ‘Isn’t It Time’ and ‘Every Time I Think of You’, British rock band The Babys have remained a cult favourite among AOR fans. The launching point of John Waite’s career, the band released a string of enjoyable albums between 1976-81 with their combination of fine 70s pop hooks and strong guitar driven melodies.
Magnum’s debut album ‘Kingdom of Madness’ had a long and somewhat difficult birth. An album had been completed by the end of 1976, but for reasons best known to themselves, the Jet Records label sat on the tapes. Magnum continued to write new material and gig constantly, and subsequently, the album was given an overhaul. A few older tracks were sidelined for newer songs and a rejigged long-player eventually appeared on record shop shelves in August 1978. This possibly didn’t help the album’s fortunes in the short term; instead of being released at a time when the record’s prog and pomp styles were still in vogue, Magnum were left with a fantasy themed album drifting in the unsure waters of punk and new wave bands. It only scraped the UK album chart’s top 60.
Following the recent reissue campaign which saw the band’s four studio albums released as double disc sets, Esoteric Recordings will issue a single disc Greenslade anthology in October.
In some people’s minds, Samson are often considered either a second division act of the New Wave of British Heavy Metal, or simply “that band that Bruce Dickinson used to be in”. While neither is technically incorrect – historically, most NWOBHM bands are now second division compared to scene titans Iron Maiden and Saxon, and Bruce was in the band – such basic thinking does Samson a massive disservice. By the time they’d recorded their debut album in 1979, the band were actually at the forefront of the emerging scene. They were one of the first to release a full length album and despite some fluctuation in early line-ups, at their best, they could more than hold their own when it came to hard rock entertainment.
‘Get Carter’ is widely considered to be one of the great British crime thrillers of the era. The 1971 film really helped to cement Michael Caine’s popularity, but as much as featuring various quotable lines and a timeless performance from the beloved British actor, the film is also fondly remembered for its film score.