Tag Archives: metal

HOLLOWKIN – Decrepit Nature EP

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As 2024 began to pull to a close, the Bath-based metal act HollowKin released their ‘Confessions & Failures’ EP, a pleasingly heavy affair that also managed to use its short playing time to effectively showcase the band’s desire to blend genres. The four songs used a base of metalcore, but introduced elements of thrash, doom, prog metal, groove metal and hardcore to form a complex sound that showed off a band who were not only tight, but insanely confident.

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Watch: Premier Jester take a ‘Slow Dance’ in new video

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Premier Jester aren’t afraid to mix genres. On their previous single ‘All I Ever Wanted’, the UK band managed to fuse metalcore riffs with R&B vocal melodies, programmed drum loops and blasts of synth drawing from a dance-oriented sound, and – latterly – some fierce hardcore breakdowns to create a truly intense experience.

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THE REAL GONE SINGLES BAR #129

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous couple of weeks. This selection is potentially amazing, with a track that blends a soul vibe with light psych, a very strong alt-pop number, a genre defying piece from an up and coming singer songwriter, a synth based slice of dream pop – and more besides. As always, we hope you find something new to enjoy.

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HARD TO EXPLAIN – Hell To Pay

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Northern Ireland’s Hard To Explain emerged in a post-lockdown world, and before long, began what was to become a run of impressive single releases. ‘Hell To Pay’, the band’s debut album (released at the tail end of 2025) makes good on all of the band’s early promise, sharing a collection of varied and hard edged tracks that showcase strong vocals, thoughful lyrical themes, and – above all – a succession of massive riffs.

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STRAENGE – Filthy Microbes

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In the middle of the first pandemic lockdown of 2020, Japanese thrashers Straenge released their second demo, the ‘Thrash Medicine’ EP. Its five tracks demonstrated a brilliant, very technical approach to heaviness, often combining the speed of ‘Seasons In The Abyss’ era Slayer with the anger of early Kreator. On a musical level, the band sounded great. Vocally, things were a different matter: the material featured an ugly growl that fused the guttural edge of death metal with the power of hardcore, which, coupled with an obvious Japanese accent, made all of the lyrics inaudible. Assuming you could approach the material purely on its instrumentalists’ merits, of course, this underground band often sounded very cool.

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