YUR MUM – Ellipsis EP

A few seconds into this 2019 EP from London based two-piece rock band Yur Mum, it becomes evident that first impressions most definitely do not apply. ‘What Do You Want?’ wastes no time in cranking a huge riff – part 90s metal, part stoner rock – that makes the band sound like a cross between Godsmack and the heaviest parts of Shinedown. It’s most definitely not what you’d expect from a band who’ve decided that a moniker like Yur Mum best represents them. As the track progresses with a mid-paced, absolute crusher of a riff – something that’s brilliantly juxtaposed with Anelise Kunz’s howling and almost brattish vocal – you’ll soon realise that, despite appearances, these guys are serious. …And then, with a teeny bit more time to acclimatise to their heavy sound, you’ll then realise that the brilliant, groove laden riffs have enough force and volume to take on a full spectrum of moods. Nope, this is certainly not the work of a band whom, in name terms, might have you believe they were a teen pop-punk phenomenon.

Continue reading

HI/JACK – Rank And File EP

Hi/Jack’s 2016 album ‘No Cover’ is one of those records that lacks something. Across its forty minutes, the duo pound through eleven tracks that blend a garage punk aesthetic with furious metal riffs. They certainly couldn’t be accused of approaching their work in a half-arsed way, but it shows why the guitar/drums/no bass set up is perfect for a purer garage rock sound but not much else. When applied to music that should be given the full bells and whistles approach – as with the semi-metallic influences that infuse most of Max Liam’s guitar playing – the lo-fi approach just sounds shoddy.

Continue reading

45 RALLY – Tweets For My Sweet

With a truckload of 60s riffs, an organ sound stolen from ? & The Mysterians and a frivolous sense of humour, 45 Rally deliver something special on their 2019 release ‘Tweets For My Sweet’. Not only do their sounds serve up a few lovingly created homages to a garage rock past, but they juxtapose their love of the retro with the more modern concept of social media used for malicious purposes.

As the title more than hints, ‘Tweets For My Sweet’ blends the familiar concept of 60s teenage love and other things with a bunch of Donald Trump’s most awful tweets, creating a potent mix of retro sounds and sensationalism. Not that 45 Rally use any of this to create any big(ly) political statements – more as a springboard for hooky choruses and fun. Obviously, though, when it’s made so obvious how and where the songs got their names, there’ll always be a certain feeling of commentary…even if, as in this case, its more of an impish subversiveness.

Continue reading

THE MAD DOCTORS – RIP EP

After the release of The Mad Doctors’ second album (the excellent ‘No Waves, Just Sharks‘), the Brooklyn garage rockers released a few standalone tracks that helped cement their cult status. Nearer the end of that year, their ‘Yeungling Malmsteen’ showed off their uglier side on a number loaded with buzzsaw guitar riffs and a world of distortion; 2018’s less than subtle ‘Fuck Sean Hannity’ took a rare detour into the political realm where the band sounded angrier than ever and the dark and bluesy ‘Sister Act II…’ presented some great basslines mixed with an almost space-rock trippiness.

Continue reading

CHEAP GUNSLINGERS – Cheap Gunslingers

Formed in 2015 by one-time Gotohells man Edo McGrady and guitarist/performance artist Melissa DuCasse, Cheap Gunslingers set about creating a sound that blended garage rock riffs with a few power pop hooks and plenty of fuzz. By the time of recording their debut LP four years later, Melissa wasn’t such a big player within the band, appearing only on three tracks (and two of those are for backing vocals), but between McGrady’s sheer sense of drive and a pleasingly dirty sound, the Cheap Gunslingers were far from depleted.

Continue reading