Tag Archives: garage rock

THE REAL GONE SINGLES BAR SUMMER SPECIAL 2024

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Over the first six months of 2024, Real Gone received hundreds of submissions for the Singles Bar. Naturally, not everything appealed, and with only eight tracks featured every week, there were various great tracks that also fell by the wayside. Our Singles Bar “Summer Special” rounds up some of the best sounds that didn’t find a previous home. It would’ve been a travesty not to share such good music, but in a couple of cases, we’ve even included material that really should have featured at the Singles Bar around the time of release. Within this batch of twenty top tunes, we’ve pulled together some very retro sounding pop-rock, something with a huge late 60s sound, a couple of gothy bits, a nod to Americana, and even a slice of trad folk. We hope this round up of bits and pieces introduces you to something new, and maybe even inspires you to check out more material.

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9-VOLT VELVET – Nude Beaches

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Texan rockers 9-Volt Velvet serve up a superb selection of riffs on their first full length release ‘Nude Beaches’. It’s a record that values directness, with each of the tracks feature some really taut riffs, but unlike some garage rock oriented bands, 9VV’s best tunes aren’t just in the Band of Skulls mode. The best bits of this album draw from a broader musical palette, and sometimes do so within a single song.

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9-VOLT VELVET – Riptide / Hey Candy

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With their layers of fuzz and a relentless garage rock core, 9-Volt Velvet are capable of conveying an impressive amount of energy. The band’s own take on a retro sound is immediately familar, but isn’t just reliant on mere recycling, and between the more traditional elements of noise, the two tracks that make up this release also share an impressive, almost quirky edge that has the potential to set them apart from their peers.

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IZZY AND THE BLACK TREES – Go On, Test The System EP

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With amps fully cranked, the four songs that make up Izzy and The Black Trees’ ‘Go On, Test The System’ EP have a brilliant, live in the studio sound. The results mightn’t be as explosive as, say, the early works of A Place To Bury Strangers, but this Polish act have a similar love of distortion, and of reworking 90s influences to create an intensive experience. On this release, their no frills, full fuzz approach results in arrangements that explode with a really natural buzz; songs that owe a debt to Sonic Youth, The Jesus & Mary Chain, early PJ Harvey, and overlooked acts like Hammerbox and Yur Mum, yet still convey just enough of their own style to remain interesting.

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JONESY – Dopplegangbangers EP

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For those yet to catch up with Canadian rockers Jonesy, here’s a quick recap. The band are loud, brash and often vulgar. When this works for them, it results in superbly trashy sounds that are hugely thrilling, despite their disposable nature. When the band misfires, they could be accused of just trying that bit too hard to shock, or perhaps just relying too much on an easy, crass aesthetic. They’ve released material that would challenge joke glam rockers Steel Panther in the rudeness stakes, and their debut album over-relied on the word fuck to make an impact, and yet, somehow, there also seems to be a reason to come back for more whenever a new recording appears. It could be terrible; it could be great. It’s a lottery – and in its own way, that makes everything seem even more exciting. Actually, exciting is probably the wrong word, but hopefully you get the point.

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