Following last year’s exhaustive box set of UK recordings, John Wetton fans will soon have another reason to celebrate. Before the end of 2019, the Wetton estate will release a deluxe box set of various solo materials, accompanied by a hard-backed book.
Although the final tracklistings and some of the small details are currently under wraps, it is believed that a couple of the albums will be expanded to two disc sets and various rarities will join the much loved albums.
More details can be found in the below press release.
Between the release of First Signal’s 2016 album ‘One Step Over The Line’ and 2019’s ‘Line of Fire’, the band’s core members kept themselves very busy. Vocalist Harry Hess recorded another album with his “day job” band, Harem Scarem (2017’s ‘United’); guitarist Michael Palace released his second band album with Palace – the appropriately named ‘Binary’ – and Daniel Flores returned to The Murder of My Sweet, releasing ‘Echoes of the Aftermath’ on Frontiers Records in 2017. In addition during those intervening three years, Flores and Palace scored themselves jobs as invaluable members of the Frontiers “house band”, lending their talents to releases by Toby Hitchcock, Find Me and Code Red. There’s almost been no time for them to sleep.
2018 was a very busy year for Johnny Gioeli. He released two well received discs in both his solo album and a collaboration with Deen Castronovo, but also found time to work on a new Hardline record. At a time where the respected rock singer appeared to be in strong voice, he was perhaps wise to take advantage of this burst of creativity, but has releasing three albums in a little under a year spread those talents a little too thinly?
The Michael Thompson Band’s 1989 album ‘How Long’ is often considered one of the landmark releases of 80s AOR. A near perfect release, its slick pop-rock sound and songs co-written with Mark Spiro captured the ears of a generation of fans. The album became increasingly hard to find on CD until a Frontiers Records reissue made the masterpiece available to all once again in 2007. Such a reissue should have been met with much enthusiasm. However, not only did the reissue sound inferior compared to the master used for the original Geffen release, but it was also sullied by the addition of a few contemporary bonus tracks which only lessened the overall quality. A brand new release the same year – TRW, teaming Thompson with vocalist Mark Williamson and noted session man John Robinson (one time of AOR band Bridge 2 Far) – was enjoyed by some fans, but in terms of sheer quality it just didn’t equal Thompson’s late 80s peak.
Combining the talents of Blanc Faces vocalist Robbie LaBlanc and Chilean multi-instrumentalist Daniel Flores, Find Me are a band that recycle classic 80s rock sounds with love. The musicians were brought together by Frontiers Records’ President Serifino Perugino in 2013 to try and fulfil his dream of creating “the perfect AOR record”. Their debut album ‘Wings of Love’ was an excellent example of the genre, though measured against many of the 80s classics, to call it “perfect” would, perhaps, be a little overzealous. The odd thing is that Perugino had something close to his dream under his nose the whole time with Work of Art’s 2008 debut ‘Artwork’, but nevertheless, he wanted more. The fans loved it, of course; the reviews were almost all positive and Find Me eventually recorded a second album at the end of 2015.
As the next couple of years ticked by, with Flores reconvening The Murder of My Sweet in 2017 and working with Palace in 2018 and no word from LeBlanc, a third Find Me record seemed increasingly unlikely. …And then, at the beginning of 2019, the band announced their big return…much to the delight of most who’d followed them previously.