THE REAL GONE SINGLES BAR #56

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. For lovers of great indie rock, there’s a real treat; for those who like the folkier end of the indie scale, there’s something almost as strong. We’ve got electronica, we’ve got something a little gothy, and even something with a death metal core. Stylistically speaking, this week, the gloves are well and truly off…

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THE REAL GONE SINGLES BAR #55

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the past few weeks. As always, we’ve been swamped with submissions – although there’s always room for more! – and we’ve had a tough job picking out some of the best tunes. This week, the Singles Bar features some brilliant shoegaze, a couple of bluesy bits, a slice of indie folk, two very different styles of punk, and more besides. Hopefully you’ll find something new to enjoy…

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THE REAL GONE SINGLES BAR #54

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. This time around, we bring you some Americana via Australia, some huge electro-pop, a devastating piece of metal, the return of some yacht rock heroes, and more besides…

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THE REAL GONE SINGLES BAR #53

Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the past few weeks. We kick off our second year at the Singles Bar with one of the most varied selections to date. We’ve got electronica, country, a brilliant slice of synth pop, something retro sounding featuring an indie/shoegaze legend, and more besides. As always, we hope you find something new to enjoy!

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Come On, Come In: Big Hits From The Real Gone Singles Bar, Year One

In May 2023, Real Gone ran a column highlighting some of the best digital singles that had come our way. We’d always shied away from singles, preferring instead to concentrate on detailed album and EP reviews, but too much good music was falling by the wayside. The column was an experiment, of sorts: it was a departure from what had gone before, but still came with the same enthusiasm. Would people embrace this new feature? Would “quick takes” weaken the Real Gone brand?

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