If you were the kind of person that went to ska and punk gigs back in the late 90s, chances are you saw King Prawn. Chances are you saw the band a lot. There was a period when they seemed to support anyone and everyone. No matter how many times they appeared on a bill, though, they were always entertaining…and once seen, nobody could ever forget bassist Babar Luck’s distinctive presence.
The band split in 2003 but reformed nine years later without Luck. The idea of a King Prawn without him seemed odd at first, especially since he was such an integral part of the original band’s live show, but it was good to have them back. Showing off a more commercial side, King Prawn’s 2014 comeback single ‘Done Days’ was, in some ways, a lacklustre return to studio work, but five years on, the long-awaited full length ‘The Fabulous New Sounds of King Prawn’ is a marked improvement.
At the beginning of 2018, St. Louis punkers released ‘Get Fired!’, a fully formed pop-punk masterpiece that applied the band’s usual spiky style to some great choruses. The disc was so popular, the first pressing sold out in quick time and a repress was also quickly snapped up. It even managed to get the expanded deluxe treatment; the addition of various period rarities to an already great disc made the reissue a must-have for any self-respecting punk fan. Given that ‘Get Fired!’ was so well received, The Buzzkills could’ve followed it with more of the same, but instead – perhaps wisely – realised that anything too similar would run the risk of coming up short, so instead, they chose to take a musical side-step…
British Anarcho punk legends are set to release a remastered version of their ‘Best Before 1984’ compilation today. Before release, they have a gift for fans: the whole thing can be downloaded LEGALLY and FOR FREE, but for the next few hours only.
Social media is a wonderful tool. It can connect us with people across the globe; amuse us, inspire us and introduce us to music and films that might have otherwise escaped our notice. There’s a joy in interacting with people we wouldn’t otherwise meet – through being victims of geography, rather than any desire to do so – and discussing cult bands at length. As anyone moving in such circles will attest, conversations about Pink Floyd, Marillion and the Grateful Dead can effectively seem endless.
The negative side of social media is that to find the gold, we have to sift through the mundane, the verbal attacks, the political tensions and the endless moaning. Only last week, an insightful soul on Twitter suggested that if television was once considered “the idiots lantern”, then the internet could well be “the shitbag’s mirror”, effectively reflecting the bad side of all of us. It’s easy to pour scorn and derision on everything from a keyboard when you don’t have to hold your own in a face to face argument.
Man-Eaters are a hardcore punk band bringing together ex-members of Culo and Bleeding Gums. As you might expect from that heritage, their debut cassette isn’t light and frothy, or yet another release by an identikit pop-punk/Ramonescore act. Throughout its half-dozen tracks, speed is of the essence; but more than that, this Chicago quartet brings a vast amount of musical power to their work, creating an EP of adrenaline charged ugliness that’ll almost definitely appeal to lovers of Motorhead, Speedealer and early Electric Frankenstein.