When a band advertises themselves as “throwing melodic punk, thrash metal, martial arts and Jimmy Barnes into the pit, with no rules, no ref and no care for the victor!”, you’ll get a sense of a band who value fun as much as musical prowess. Although it’s not entirely clear how one of Australia’s national heroes actually figures in Judo CHOP!’s work, the rest of those descriptors are a fairly good fit for five of the six tracks that make up their ‘Cosmic’ EP.
Back in 2000, when the rock press seemed to spend a lot of their time getting excited by debut albums from A Perfect Circle and Linkin Park, and most punk was starting to be treated like old news, The Briefs burst onto the US punk scene with their debut album ‘Hit After Hit’. Behind its ironic title, the record shared a bunch of hard edged tunes, bristling with riffs on loan from The Ruts and The Clash, along with the kind of gang vocals that drove the second wave of UK punk. They sat alongside other revival bands like Lower Class Brats and Street Dogs, but were clearly superior musicians and songwriters from the get go. Twenty plus years on, their ‘Sex Objects’ album showed off slightly bigger production values, but the band’s songwriting and musical approach had clearly held firm. With a bunch of speed driven numbers that showed influences from The Clash, Buzzcocks and Lurkers, The Briefs still shared a love for older British punk, but – from a US standpoint – some of the material shared the furious energies of The Germs. In terms of style, it was a great record.
Released in February 2024, The Sleeveens’ self titled debut launched the band in largely great style. In a little over half an hour, potential fans were reeled in with the help of eleven punk ‘n’ roll numbers that, in the main, fused high octane riffs with a knowing sense of humour. ‘Give My Regards To The Dancing Girls’ provided the perfect opener with its combo of old school punk riffs and distorted vocals; ‘Aretha Franklin’ added a little more of a punk ‘n’ roll feel via a harder sounding guitar, and ‘Metallica Font’ served up pleasingly trashy riffs on an ode to teenage love. Best of all, a cover of The Undertones’ ‘Get Over You’ – dressed in a cloak of distortion – ended up sounding like The Sleeveens had dug up an old Real Kids track and given it a welcome kick. Unfortunately, it wasn’t the perfect debut: the over-long, mid tempo ‘Dry Cider’ did some serious damage to the middle of the album, not just through dragging the mood, but also due to offering some unwelcome lyrical content: a weird, outdated reference to “The Handicap Association” suggested that The Sleeveens really did believe they were still living in 1977. [According to the band, the lyric is based on a real life story from several years ago which puts things in a clearer context, but it doesn’t stop archaic words jarring with a modern ear.]
Welcome back to the Real Gone Singles Bar, the place where we share some of the individual tracks that have landed in our inbox over the past few weeks. It’s an especially strong selection this time around, throwing a spotlight on a new, young band with a perfect take on an old sound; a punchy number straddling the line between indie and punk; a potentially frightening, riff-heavy number; something that falls within the boundaries of blues rock…and more besides. We think you’ll find something – or someone – new to fall in love with, and if so, it’s been more than worthwhile. Grab a cup of tea and dive in…
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As 2024 began to draw to a close, Buster Shuffle had already started to look towards the year ahead. The London-based ska band’s then current single ‘Shows How Little You Know’ provided a very effective peak into their proposed new long player, supplying the kind of energy driven number their fans had not only come to expect, but also a powerful workout that seemed perfect for attracting new listeners.