“It’s Not Our Fault…”: An interview with Get The Fuck Outta Dodge

At the tail end of 2019, Real Gone received an email requesting coverage from a band calling themselves Get The Fuck Outta Dodge. We had no idea what to expect. Within about thirty seconds of hitting the play button, it became clear that Dodge were one of the best bands we’d heard all year. Their lo-fi garage punk was never less than furious and in terms of a DIY set up, their then current EP, ‘We Make The Future Here’ raised the bar for independent noise making. We’ve followed their progress very closely ever since. In 2022, having survived a couple of years in a Covid ridden world, they found themselves in the studio with renowned Sheffield based producer Alan Smyth. In June 2022, James (bass/shouting) and Ren (drums/more shouting) dropped into Real Gone to talk about their whirlwind of work…


Continue reading

HARD TIMES – Little Satan EP

Coming out of a pandemic lockdown and determined to make some noise, five guys from Europe hit upon a new musical idea. Members of punk band Suicide Generation teamed up with guys from Desperate Fun and Lysergics and took a musical detour. Hard Times was born with the idea of casting aside their punky pasts, and instead paying homage to glam rock, sleaze rock, and even the proto-glam rock ‘n’ roll of New York Dolls. It is a job that their debut EP ‘Little Satan’ does brilliantly in its own no-frills and semi lo-fi way.

Continue reading

J PROZAC – Won’t Let Go

When J Prozac released the ‘Building Blocks’ single in January 2022, it felt as if the punk musician was on the cusp of releasing some of the best music of his career. In a little over two minutes, that track made old school pop punk sound vital again thanks to some classic sounding riffs and a massive chorus that the likes of The Mr T Experience would have taken to glory in their 90s prime. Even J’s slightly gruff voice couldn’t keep the track’s bubblegum-ish traits in check, and overall, it supplied big thrills in such a way that proved classic pop punk will never die.

Its parent album ‘Won’t Let Go’ very much delivers on that track’s huge promise, but isn’t necessarily the straight up punk record that fans are expecting. Within its eleven songs, Prozac steers through punk and pop punk moods with ease, takes in some ragged heartland rock, and has even been unafraid to chuck in a ballad. It might make the album seem a little more scattershot to an outsider, but nothing could be further from the truth. With the help of massive hook after massive hook, J hits the mark pretty much every time – and there are even instances where the material is great enough to rival ‘Building Blocks’ in terms of that all important memorability factor.

Continue reading


Split EPs are often a good way to discover a couple of new bands, and with six songs presented in a no-frills manner, this shared release between Celtic punks The Rumjacks and Flatfoot 96 is no exception. Both bands take a relatively straight, no nonsense approach to their subgenre, and that means that – in the main – most people will either love or hate them.

Continue reading


Between 2013 and 2019, The Hallingtons released a string of EPs that slowly found them perfecting their own homage to Ramones. Hundreds of bands had recorded in a similar style before, but few had managed to capture the early sounds from Joey and Johnny quite as perfectly as The Hallingtons’ ‘Hexed’, proving the world was more than ready for the Norwegian punks to deliver a full length musical assault.

Continue reading