VICTIM CULTURE – Victim Culture

Naming themselves after a Gallows song, it should come as no surprise that Denver’s Victim Culture hone a sound that owes a great debt to that much loved UK/Canadian hardcore outfit. This debut album is tough and raw; it’s overall sound carrying the brickbats of a stomping hardcore sound that fuses a metallic chug with rousing street punk choruses.

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PROTECTED LEFT – Fossil EP

Following 2018’s ‘Posterity’s Sake’, Protected Left’s 2019 EP ‘Fossil’ combines fierce riffs with personal commentary to create a five tracker that should appeal to fans of Propagandi and of the noisiest end of Strike Anywhere catalogue. In terms of thrash oriented punk, it feels a little generic but there’s absolutely nothing wrong with that, especially when played as well as it is here.

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EXTRA ARMS – Up From Here

A concept record isn’t exactly what you’d expect from a band heavily influenced by Superchunk, The Replacements and various pieces from a pop-punk past. You probably wouldn’t expect a “divorce record” either – such things are often the province of the more introspective singer-songwriter – but that’s exactly where we find Ryan Allen and his Extra Arms at the close of 2019. An eight song outpouring, ‘Up From Here’ does a fabulous job of documenting Allen’s feelings and place within the world following a marriage split, but those who’ve enjoyed his previous works shouldn’t be concerned that this is too heavy going, as his thoughts are often coupled with some fabulous power pop and pop-punk arrangements.

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MUSCLEGOOSE – 3 Ninjas: High Noon At Musclegoose Mountain

What would happen if you allowed the drummer from garage punk band Wirms a completely free rein to record whatever he wanted with some friends? You’d get a cassette of punk noise, showcasing a handful of songs that take a loose and childish inspiration from various film titles. …And he’d then decide that Musclegoose would make a fitting name.

Bonkers.

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