It’s that time of year again! …And it seems to come around faster every year.
Tag Archives: 80s
PALLAS – Arrive Alive
As far as the more casual observer is concerned, the prog rock revival of the 80s was kicked off by Marillion and their ‘Market Square Heroes’ EP and subsequent hit album ‘Script for A Jester’s Tear’ in 1983. Marillion certainly flew the flag for prog’s unexpected commercial success during that decade, but the rumblings of a brilliant, but terminally unfashionable musical revival had actually begun much earlier.
VARIOUS ARTISTS – Moving Away From The Pulsebeat: Post Punk Britain 1977-1981
When punk shook Britain’s music scene in ‘76, it came as a revelation. The DIY spirit of the Buzzcocks’ ‘Spiral Scratch’ EP suggested that anyone could be in a band; you didn’t need to have to have years worth of musical training. Music could also be about capturing an energy and a spirit. Punk’s first wave was relatively short-lived. By 1978, guitar driven bands were mixing the less flashy elements of punk with bigger melodies, resulting in the mod influenced sounds of The Jam and the broader power pop of Elvis Costello & The Attractions. Some were even taking punk’s pure drive and creating what would now be considered goth, and bands like Ultravox! and Wire – arguably the greatest bands to be tagged with the term “post punk” – added strange and angular artiness, shaping the sounds of a generation.
ALCATRAZZ – Rock Justice: The Complete Recordings 1983-1986
When it comes to reissues, the first three Alcatrazz albums have been more than well served. 1983’s ‘No Parole For Rock N Roll’ was reissued in 2011 with a slew of live tracks, and again in 2015 with a bunch of unreleased instrumental demos; 1985’s ‘Disturbing The Peace’ was given the deluxe treatment in 2016 when it was reissued with bonus tracks and a full length live DVD, and that same year, even 1986’s lesser appreciated ‘Dangerous Games’ was appended with bootleg live recordings.
ALICE COOPER – DaDa
At the tail end of the 1970s, Alice Cooper found himself battling some dark demons. Not just those from his own imagination, paraded nightly from the stage for the entertainment of a paying audience, but some much darker, very personal demons. Following the release of 1977’s ‘Lace & Whiskey’, an overworked Vincent Furnier had been all but consumed by his much-loved alter ego and had descended into a world of addiction that ended with him being hospitalised.