On their new single, indie-pop act The Arthur Brothers have thrown everything they know into a blender and hoped for the best. The results are fun, belwildering, catchy and annoying all at once.
The track features a few great pop hooks and some even better multi-tracked vocals on loan from Brian Wilson via Jellyfish and Eels, serves those with some solid indie jangle and even prefaces them with a near spoken vocal that’ll surely divide opinion. It could’ve been a mess.
In 2008, the original Specials (minus founding member Jerry Dammers) performed at Bestival. The event was quickly heralded by fans as an amazing experience and the following year, the band embarked upon a massive tour. For many, it was the ultimate nostalgia trip; for younger fans, a very welcome – and unexpected – chance to see the band fronted by the legendary Terry Hall, something unseen since the very early 80s. Sure, the band had made albums with varying line-ups throughout the years and even put on a great live show fronted by Neville Staple in the late 90s, but the classic line up of the Specials was special for a reason. A second full tour in 2011 was captured for posterity on the double disc ‘More or Less…The Specials Live’, giving those who couldn’t make the shows in person their own chance to hear Terry “enjoying himself first”.
Most would’ve predicted the reunion would then fizzle, but over the next few years, other live shows followed. Finally, in 2018, almost a decade on from the big reunion, there were mumblings of a new album on the horizon.
Experience comes with age, or so they say, but once in a while an artist emerges whose experience totally contradicts that theory. Still in her teens at the time of this EP release, singer-songwriter Althea Grace has already shared stages with The Shins and Doyle Bramhall II (the blues guitarist most famous for being sideman to both Eric Clapton and Roger Waters) and caught the attention of Sheryl Crow.
In 2018, Real Gone celebrated its ninth birthday. It’s been a long and hard road to this point, but we’re pleased to be celebrating our most successful year online to date. Hundreds of new albums have been heard and a record number of gigs have been attended. Not only has this year been our biggest success…it’s also been our favourite.
Nearing the close of 2018, it’s time to look back and celebrate our favourite events – including our top ten album releases…
Normally, each year has an album that’s a clear stand out. Making that distinction this time around has been somewhat trickier, so we’re awarding a joint “album of the year” to two very different albums. If that seems like a cop-out, we don’t care…there really was only a hair’s breadth between them.
In the late 60’s singer-songwriter Graham Bonnet scored a UK #5 single with cover of the Bee Gees’ ‘Only One Woman’ as part of pop duo Marbles, after which his career took somewhat of a downturn. After two more flop singles with Marbles, he made the move into recording advertising jingles, before releasing a couple more unsuccessful singles in the early 70s. After an appearance in the 1975 UK comedy film ‘Three For All’ – starring his then partner Adrienne Posta – Bonnet signed a deal with the small Ring-O record label, with whom he released two full length albums, ‘Graham Bonnet’ (1977) and ‘No Bad Habits’ (1978).