French vocalist Emma Sand released her ‘Wonderland’ EP in 2016, but it would be another three years before a follow up would emerge. 2019’s ‘Door To Door’ concerns itself with various musical moods and champions itself as an aural road movie, with the vocalist taking the listener through a handful of musical styles along the way. Lovers of heavily reverbed, retro guitar sounds may well take an instant like to the material, but that’s really only just the surface noise on this particular road. The six songs featured here aren’t necessarily recordings you could love straight away. Sand’s big voice occasionally feels at odds with her band; on first listen, she’s just too loud…but given time to adjust, at least two of these songs slowly unveil themselves as being fairly smart adult pop.
A collection of songs that melded jazz melodies with swathes of contemporary soul, Eleni Drake’s debut EP ‘Blue’ had a lot of crossover potential and was a release that lent itself well to evening listening. With a lot of the music straddling the kind of sounds you might find during the softer parts of a Solange Knowles record and the laid-back electronica of Zero 7, it seemed so contemporary for the time of release and promised well enough for a potential follow up.
Steve Hewitt is a singer-songwriter from Kent whose previous works have gained some very positive reviews from singer-songwriter, folk and Americana fans, with particular praise for carrying such an American sound considering his very English roots.
His first full length album ‘Bigger Than Words’ presents a far more intimate sound than his 2015 EP release ‘Life Stories’. Lots of the poppier elements have been cast aside in a move for the better. With Hewitt baring his soul in a more stripped back fashion, the album largely works around a finely played acoustic six string and a big voice, although a few other embellishments help to give his personal songs a much fuller feel without losing any of the subtleties. …And even a couple of forays into adult pop are far more professional sounding than anything Steve has released previously.
Using the name Holmes, singer/songwriter/producer Roy Shakked released an unmissable covers album – the appropriately titled ‘Covers’ – back in 2011. The following years found him disappearing into a busy schedule of work: a full length album of originals appeared in 2012 and following his relocating to Israel, by 2015, he was became a member of a new band The Bright Wild. Roy’s music continued to be hidden in plain sight over the next couple of years with his compositions appearing on numerous TV shows and adverts in the US and his need to create new sounds eventually yielded a new solo EP in December 2017. Continue reading
On their 2017 EP ‘Haze’, The King’s Parade presented a seamless blend of soft rock, blues and soul which captured their myriad of influences quite succinctly. It wasn’t everyone’s cup of tea: some chided the band for being too “easy listening”, but the release gained solid support from listeners who actually understood that not everything has to be ground breaking or edgy. There’s praise enough to be given when music is played well – whatever the style – and throughout ‘Haze’, The King’s Parade truly excelled.