THE REAL GONE SINGLES BAR #152

This visit to the Singles Bar mixes the familiar with the brand new. Making repeat appearances are an Irish shoegaze band with one of their most forceful tracks to date, a hard working metal band who are wholly committed to bringing huge riffs, and a singer songwriter who’s unafraid of a complex melody. There’s also a debut from an act who sound like they deserve to be big in record time, a number mixing garage rock and post punk sounds, and more besides. As always, we hope you find something new to enjoy!

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DEWEY – Summer On A Curb

Dewey’s debut single ‘Jinx’ signified the arrival of a band with a potential greatness. On that track, the young Parisians served up a sound wholly indebted to the 90s with a massive shoegaze tone that really pushed some interesting guitar work to the fore. Right from the opening notes, though, it was clear that each of the band members had something important to offer when a solid drum part powered a fine groove, and the wall of guitars was joined by an equally solid bass.

Above all, ‘Jinx’ sounded far more melodic than a lot of the genre’s pioneers – a slither of indie melody contrasting the semi-woozy feel that the likes of My Bloody Valentine wouldn’t deem necessary made the single so much more accessible, and the way a busy and almost otherworldly keyboard line layered the main melody with something a little busier definitely gave the performance far more of an uplifting quality. Taking pride of place on Dewey’s ‘Summer On A Curb’ LP – issued almost three months later – ‘Jinx’ sounds better than ever.

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THE REAL GONE SINGLES BAR #148

With new tracks from a couple of the indie scene’s UK/Irish leading lights and a Bristol based guitar driven band who’ve already attained cult status, this visit to the Singles Bar feels rather weighted towards jangly material and swirly shoegaze sounds, but with a very retro sounding track that fuses blues rock with prog flourishes and a dreamy number from a French singer-songwriter, there’s a sharp contrast too, helping to keep the usual love of shining a light upon the most cult of artists. Bolstered by an unexpected reissue from the 80s and a lo-fi workout that could split opinion, it’s certainly an interesting selection this time around. As always, of course, we hope you find something new to enjoy!

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THE REAL GONE SINGLES BAR #147

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This selection takes in a genuine curveball from a cult musician, shares a perfect slice of soul, a great single from an up and coming singer songwriter, a brilliant melodic rock banger, and more… As always, we hope you find something new to enjoy!

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TOMBSTONES IN THEIR EYES – You Don’t Have To Love Me / Everybody’s Dead

With just a few weeks left of 2025, US deep psych/shoegaze band Tombstones In Their Eyes released not only one of the best albums of the year, but one of the best of their career. Some of the material felt a little bit samey if heard in one sitting, but the band’s command of a riff and ability to weave a great atmosphere allowed the material on ‘Under Dark Skies’ to work brilliantly when approached in the right mood.

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