On their 2021 EP ‘Trying To Reach You’ Canadian alt-rock band Love Language found themselves dabbling with a number of different styles. On the release’s lead track ‘Design’, they gleefully placed a sixties pop twang beneath a lax vocal that created something that sounded like Kim Gordon fronting a surf rock band. Throughout ‘Lucked Out’, they took the 90s slacker vibe and fused it with music that never seemed a million miles away from Cowboy Junkies supplied with extra reverb. It was one of those EPs where, no matter where you dropped in, the music had a pleasingly nostalgic feel, whilst still feeling relevant.
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BITCH QUEENS – Party Hard(ly) EP
From the Basel underground, Switzerland’s Bitch Queens mix sleazy hard rock and a classic punk attitude in a way that’s impossible to ignore. This four track release is the perfect distillation of their sound, as well as a shameless celebration of glam rock’s trashier excesses. One listen to the title cut is enough for their massive sound to win over the unsuspecting genre fan with its relentless barrage of gang vocals, shout along hook and generally crashy mood. It’s the kind of tune that Gluecifer would’ve driven into people’s ears back in the 90s, yet at the same time, it has a certain freshness that suggests these Queens could give the sleazier end of the rock scene a welcome kick up the arse.
THE PIGEON BOYS – Detox/Retox
Following a string of digital singles and an EP, this album by Austrian punks felt a long time coming. Not only because the gradual release of singles built up interest slowly, but also because the arrival of the Covid-19 pandemic delayed the planned recording of the bulk of the material. Better late than never, The Pigeon Boys finally released their first full length in the summer of 2022.
REDBUD – Long Night EP
Texan indie pop band Redbud began releasing music via Bandcamp during the lockdown of 2020, and it was immediately clear that their sound had something special. Their early digital singles ‘To The Moon’ and ‘Opal’ conveyed elements of retro dream pop and light psych-tinged Americana in a way that felt both familiar and fresh – an oxymoron if ever there were – and vocalist Katie Claghorn’s hazy and ethereal vocal style had an immediate appeal.
CROWN OF MADNESS – Elemental Binding EP
Canadian duo Crown of Madness released their debut EP in March 2022, and for those paying close attention to the metal underground, it introduced a band with an interesting approach to an extreme sound. Their harsh combination of old school death metal and a sheet of black metal coldness would be enough to please a lot of genre fans, but occasional nods to goth and doom lent their more brutal aspects a little balance via some strangely mournful riffs.