TRAUM – Traum

Bringing together members of Fuzz Orchestra, Zeus, Lento and Zu, German band Traum aren’t light on musical talents. On their debut album, the collective explore a broad soundscape of space rock, desert rock and stoner to create a heavily atmospheric work. Perhaps most impressively, unlike some of their peers, they don’t feel it is always necessary for their musical explorations to stretch out into hugely lengthy jams. There are longer works shared, but the bulk of ‘Traum’ shares shorter, accessible pieces, and in doing so, really helps to create a user friendly record from a sometimes less than user friendly style.

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OCTAVIAN WINTERS – Nebula / Velveteen (Mark Pistel Remix)

Following a run of enjoyable digital singles, Octavian Winters released their debut EP ‘The Line Or Curve’ in October 2023. Rounding up the band’s previously available tracks and premiering the excellent ‘Velveteen’, its five songs explored an old school goth sound, but by blending that with a much tougher post-punk influence, the release shared a superbly dark mood laced with very strong melodies throughout. One of the EP’s highlights, ‘Surreal’ managed to bring the cold brilliance of ‘Faith’ era Cure into the realms of the more modern, potentially making it amenable to fans of bands like Lacuna Coil, and the combination of Jay Denton’s huge bass melodies and Ria Aursjoen’s soaring 80s vocals resulted in something atmospheric. With slow but wondrous melodies underscored by ringing guitar, it showed how classic 80s goth rock riffs and melodies could sound just as thrilling forty years on.

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MARK BACINO – Top Of The World

Mark Bacino’s 2010 album ‘Queens English’ saw the US singer songwriter moving away from the perfect bubblegum pop he’d shared on his earlier records, but for those willing to invest the time, it was an album rich in character. With a narrative theme concerning home and family, the material was more mature: ‘Happy’ revisited the sounds of Randy Newman; ‘Muffin’ hinted at a love of Billy Joel, and the title cut opted for something a little more direct with a pinch of 70s glam informing its sound. It was the kind of record that worked best as a whole, and yet could still be cherry-picked.

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GENTLEMEN ROGUES – Surface Noise

Since their formation, Austin’s Gentlemen Rogues have created great music that’s hugely indebted to the older college rock sound. Via a series of EPs, their very retro approach won them a loyal audience within the rock underground, and comparisons to The Replacements certainly didn’t hurt their progress. Over a decade since their humble beginnings, their 2024 release ‘Surface Noise’ finally sees the band stretching beyond their preferred short playing format with a full album’s worth of material, and it comes as a great relief that their punchy music doesn’t necessarily need to be heard in short bursts to have the greatest impact.

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THE SHADOW MAJLIS – The Departure

A musical project helmed by multi-instrumentalist Ali Jafri, The Shadow Majlis’ debut album ‘The Departure’ defies easy categorisation. The material takes in elements of goth, rock, world music and even dub reggae to create a cornucopia of sound with subtle layers that offer the listener something different on each play.

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