Having previously released material mastered by Dennis Pleckham of Bongripper and taken musical cues from Sunn O))), Chicago’s Plague of Carcosa are no strangers to a heavy riff. Their 2018 release ‘Rats In The Walls’ required no more than just one track to make its point, but since that number was often delivered at a crawling speed and dragged out to almost fifteen minutes, the effect was like experiencing a full four song EP from most doom/sludge bands.
Every once in a while, a band comes along that sounds almost exactly like their logo and album artwork. This is one of those times. With a sound that falls somewhere between heavy psych and stoner rock, Perth’s Giant Dwarf deliver a world of fantastic riffs on this debut album. These guys have so obviously realised that it can be more effective to take influence from others and do that well, as opposed to presenting an odd mish-mash of more original sounds but end up with a record that’s going to be perhaps quite marginal. It’s resulted in a release that’s full of belters that fall somewhere between classic ‘Dopes’ era Monster Magnet and the more focused Queens of The Stone Age – pretty much guaranteed to please most listeners who loved stoner and space rock in the late 90s…and still find themselves craving some deep fuzz.
Two years on from their ‘No More Than Three Chords‘ album, Italian punks Latte+ returned with ‘Stitches’, an album that captured the band’s supercharged Ramonescore sound in a slightly more polished way. Despite a better final mix, the band’s sense of speed and guts still dominated and in songs like ‘Everyone Listens To The Ramones Even My Mom’, the Screeching Weasel-tastic ‘Darkness Inside Your Heart’ and the melodic punk punch of ‘Another Sleepless Night’, they managed to show off the complete range of their always improving sound. It seemed like an album that would break them outside of their home country, but despite such a strong effort, Latte+ (always pronounced “LattePiu”) still seemed destined to be found lurking somewhere within the ranks of dozens of other Europunks and not mentioned in the same breath as Screeching Weasel, Dan Vapid and Teen Idols.
Formed in 2015 by one-time Gotohells man Edo McGrady and guitarist/performance artist Melissa DuCasse, Cheap Gunslingers set about creating a sound that blended garage rock riffs with a few power pop hooks and plenty of fuzz. By the time of recording their debut LP four years later, Melissa wasn’t such a big player within the band, appearing only on three tracks (and two of those are for backing vocals), but between McGrady’s sheer sense of drive and a pleasingly dirty sound, the Cheap Gunslingers were far from depleted.
It’s been less than a year since Strange Majik released their politically charged ‘Channel T’ album, but the ever-prolific David Pattillo and his crew are back with new material.