Tag Archives: cherry red records

THE FALL – Fall Sound Archive Vol. 9: The Infotainment Scan

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By the beginning of the 1990s, The Fall were barely recognisable from the band who’d given the world ‘Live At The Witch Trials’ just over a decade earlier. Mark E. Smith’s fearless approach had steered the band down broader musical avenues, far beyond their punky roots, and the line up of The Fall that delivered the brilliant ‘Extricate’ album in 1990 were a hugely sophisticated musical unit. The flirtations with a Manchester influenced indie sound and a few dance oriented beats on tunes like ‘Telephone Thing’ from that album, and the synth based sounds on tunes like ‘The Mixer’ and ‘Sinister Waltz’ (from the following year’s ‘Shift-Work’) may have lost them a few fans, but regular coverage in the music press and a desire to stay contemporary won The Fall new admirers. By the time of the recording 1993’s ‘The Infotainment Scan’, The Fall’s “90s sound” had really found its feet.

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VARIOUS ARTISTS – Popscene: From Baggy To Britpop 1989-1994

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The early nineties were an exciting time for guitar based music. Grunge dominated the rock scene, but as any avid viewer of the ITV Chart Show will tell you, circa 1992, the indie chart was brimming with great bands, often more of a UK vintage. Shoegaze sounds captured the underground; jangly indie acts – like The La’s and World of Twist – celebrated more of a 60s vintage, and the social commentary that drove bands like Carter The Unstoppable Sex Machine and The Wonder Stuff found itself crossing over for massive chart success.

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THUNDER – The Complete EMI Recordings 1989-1995

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When it comes to rock bands, Thunder are a British institution. Their classic rock sound has long conveyed a timeless style, and in the live setting, Danny Bowes, Luke Morley and company are second to none. What’s even more amazing is that Thunder’s greatness was evident from the very beginning. Whereas some bands work hard to hone their sound and have to learn to win over a crowd, Thunder displayed a natural ability the moment they arrived. Part of that was obviously due to Danny and Luke warming up with their former act Terraplane, but Thunder’s live presence was much greater than their predecessor. Almost perfect proof of this can be heard during their very first Donington Monsters of Rock appearance. It’s a difficult task – sometimes even thankless – being the first band on at a festival, in front of a demanding audience, but on Saturday 18th August 1990, Thunder played a blinding forty minute set that proved they were more than “just another band”. They gained an army of fans that day, and it’s a festival show that still got talked about many years after the event.

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VARIOUS ARTISTS – Ring The Bells & Sing: Progressive Sounds Of 1975

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Whenever a new, yearly themed box of prog rock cuts gets released by Esoteric Records, genre fans automatically know they’re in for some great listening. Even when their ‘Underground Sounds’ and ‘Progressive Sounds’ anthologies merely recycle a world of album cuts, these affordable multi-disc sets create something that isn’t just well rounded; when approached in the right mood, they’re compilations which are incredibly absorbing. Whether approaching them from a nostalgic perspective or in the hope of discovering something new – hopefully both – these anthologies supply a huge amount of entertainment.

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VARIOUS ARTISTS – Can’t Seem To Come Down: The American Sounds Of 1968

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Between the release of The Beach Boys ‘Pet Sounds’ in May 1966 and the first Woodstock Festival in August 1969, the American rock and pop scenes went into overdrive. With the groundbreaking ‘God Only Knows’, Brian Wilson had shown how grand “pop” could be in the hands of a master; the birth of psychedelia meant that garage rock grew into something much bigger and more interesting than a selection bands churning out variants of ‘Louie Louie’, and the blues morphed into sprawling jams which birthed a generation of guitar heroes. A prolonged period of experimentation arguably reached its peak in 1968, with The Byrds releasing their last works with David Crosby (at least for a time), Moby Grape issuing a double LP (‘Wow/Grape Jam’), the arrival of Spirit’s debut (helmed by the fantastic ‘Fresh-Garbage’), The Velvet Underground’s ‘White Light/White Heat’ proving their Warhol overseen debut wasn’t just some arty fluke, and the Grateful Dead issuing their show piece ‘Dark Star’ as a single. Even Simon & Garfunkel got a little out there on their fourth LP ‘Bookends’, with their masterful folk-pop joined by the vaguely psychy ‘Punky’s Dilemma’, and feeling brave enough to include Art’s audio verité ‘Voices of Old People’ as a key album track.

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