IAIN MATTHEWS – Rhythm Of The West: The Columbia Years 1975-1977

In 1970, Iain Matthews formed band Matthews Southern Comfort, a top notch country rock band which would become his main musical vehicle following his departure from Fairport Convention. Formed essentially as a vehicle to promote Iain’s 1969 solo album of the same name while out on the road, they’ll always be remembered for their UK number 1 hit with a cover of Joni Mitchell’s ‘Woodstock’ – a recording very much modelled upon the Crosby, Stills, Nash & Young recording – but the band recorded a lot of strong material across two more rather fine albums. Over the next couple of years, Matthews barely rested; by the end of 1972, he’d recorded and toured with country rock band Plainsong and also recorded a brilliant solo album,‘If You Saw Thro’ My Eyes’. That would ultimately be the springboard for a run of great solo records over the next decade.

By the mid 70s, Matthews had already amassed an impressive body of work. His albums ‘Tigers Will Survive’ (1972), the marvellous ‘Valley Hi’ (1973), ‘Journeys From Gospel Oak’ and ‘Some Days You Eat The Bear’ (both released in 1974) shared a typical mix of folk, country and pop-rock tunes mixing covers with original material, but 1975’s ‘Go For Broke’ found Iain taking a dip into slightly more commercial waters. …And it’s with that album – a slightly overlooked entry in the Matthews canon – that ‘Rhythm of The West: The Columbia Years 1975-1977’ begins its look back at another prolific period for the singer-songwriter.

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THE REAL GONE SINGLES BAR #154

The eight picks that make up this selection for the Singles Bar cover a lot of musical ground. Joining a couple of superb singer songwriters, there’s a reggae-centric number from some legends of British ska, a beautiful track that pushes beyond the boundaries of dream pop, a slab of great post punk, and more besides. It’s one of our stronger selections in a while. As always, we hope you find something new to enjoy!

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JOHN MELLENCAMP – Johnny Cougar: The Mainman Recordings 1976-1977

As far as many people in the UK are concerned, John Mellencamp burst onto the music scene in 1982 with his radio hit ‘Jack & Diane’, but by the time that was loved by the masses and its parent album ‘American Fool’ was a success on both sides of the Atlantic, Bloomington’s most famous export had been building a career for several years. Previous albums ‘John Cougar’ (1979) and ‘Nothing Matters & What If It Did’ had seen some success stateside, but Mellencamp’s musical roots actually stretch back even further. In the mid 70s, he signed with the management company Mainman (a company who had David Bowie and Mick Ronson on their books) and recorded three albums’ worth of material in a very short period that, over the years, has been somewhat overlooked.

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THE FALL – Fall Sound Archive Vol. 12: Fall Heads Roll

On 2003’s ‘The Real New Fall LP’, Mark E. Smith and his band sounded somewhere near the top of their game. Some of their more critical fans might claim the record didn’t quite capture the fire of their early work, but the record boasted more than its fair share of memorable performances. It showed the now veteran act in a position of strength and would be a hard act to follow, if not impossible, especially considering Smith had a habit of shaking things up whenever he felt things might be going too well.

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ROSE TATTOO – The Albums: 1981-1984

Don’t be fooled by the title: despite claiming to contain albums released between 1981-1984, this four disc set by Aussie legends Rose Tattoo actually kicks off with their self-titled album from 1978. With Lemon Records being a UK based company, the decision has been made to present that record as it was first experienced by UK audiences domestically, with its alternate title (‘Rock ‘n’ Roll Outlaws’) and belated 1981 release date. [Further evidence of this clam shell box being pitched squarely at the British buyer can be found in the sleeve notes, when Rose Tattoo’s 1986 LP ‘Blood From A Stone’ is referenced as being an Angry Anderson solo album of the same name released in 1988.]

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