HEREAFTER – Fires Of The Flame EP

Formed during the global pandemic, US metal band Hereafter is a side project for two members of Corners of Sanctuary. As with all good side projects, it marks something of a shift for the musicians involved. Despite still sticking within the metal realm, this project trades in Corners of Sanctuary’s high octane, traditional 80s sound for something slower, groove laden, and almost doomy in places.

The four piece band teams Corners’ Mick Michaels and Mad T (guitars and drums, respectively) with ex-Blood Feast vocalist Chris Natalini and Burned In Effigy bassist Robert Bigler to create a heavy sound that values a steady riff above all else. To ensure an even bigger shift from the members’ day jobs, the songs even employ a very stylised vocal to accentuate a lot of the music’s very rhythmic heart.

Continue reading

THE PROG COLLECTIVE – Songs We Were Taught

Although often billed as the world’s biggest prog rock supergroup, The Prog Collective is actually more of a revolving gang of musicians. Working with an incredibly fluid line up, it’s merely an umbrella name that allows multi-instrumentalist Billy Sherwood to call on various friends according to their appropriate talents. If this sounds like a similar set up to one of Sherwood’s many tribute albums, it’s with very good reason. The Prog Collective’s main difference – at least on their first two albums – came from the idea that the gathering of talent would record original material. It’s also clear that Sherwood believed, perhaps correctly, that the mystique of a “prog supergroup” would attract more listeners than one of his many solo projects.

Continue reading


Four years on from their ‘Nemea’ album, UK progressive sludge merchants Fissure of Riddles make a particularly intensive noise on their 2022 release ‘The Marble Realm’. Four of its six songs take a very long time to sometimes do very little, but for fans of such a slow and oppressive style, that moody and methodical approach to a riff results in the kind of album that’s almost guaranteed to make an impression.

Continue reading

“It’s Not Our Fault…”: An interview with Get The Fuck Outta Dodge

At the tail end of 2019, Real Gone received an email requesting coverage from a band calling themselves Get The Fuck Outta Dodge. We had no idea what to expect. Within about thirty seconds of hitting the play button, it became clear that Dodge were one of the best bands we’d heard all year. Their lo-fi garage punk was never less than furious and in terms of a DIY set up, their then current EP, ‘We Make The Future Here’ raised the bar for independent noise making. We’ve followed their progress very closely ever since. In 2022, having survived a couple of years in a Covid ridden world, they found themselves in the studio with renowned Sheffield based producer Alan Smyth. In June 2022, James (bass/shouting) and Ren (drums/more shouting) dropped into Real Gone to talk about their whirlwind of work…


Continue reading

ROWSIE – Searching EP

Plying their trade in London and South East England, roots rock band Rowsie spent a long time perfecting their direct musical approach and a core sound. In their case, “perfecting” doesn’t necessarily mean “perfect”, as Rowsie often revel in clinging onto a ragged musical heart. Armed with overdriven guitars that take influence from the noisier aspects of Uncle Tupelo, Grant Lee Buffalo and Crazy Horse and mixing that with a melodic streak that blends roots rock with folk and pop, it creates a full blooded very natural experience. On their ‘Searching’ EP (released in June 2022), they finally make good on the sounds and influences that peppered their earlier single releases.

Continue reading