It’s hard to believe that Real Gone has reached its tenth anniversary. There have been a vast amount of albums and EPs reviewed in that time. Some captured a moment somewhere in the world of DIY recordings; others continue to be unloved by the masses but we’re still more than glad we got to help spread the word in our own way.
Then there have been those albums destined to become classics; albums we’ve continued to love long after our reviews were shared. For our tenth anniversary, it seemed only appropriate that we took a look back at a few landmark albums from our first decade online – an album from each year we think holds up well; recordings that continue to be important to us and have somehow allowed us to build a following and still have an internet presence… Ten years – ten albums… Every one a classic.
When Real Gone launched back in November 2009, there was no real thought to its longevity. There wasn’t even any real thought as to whether it’d gain an audience much past a few friends. It was always going to be a useful outlet for a love of music, no matter how big or small the audience. Mostly, it going to be a hobby; a distraction.
It originally had one purpose: to highlight great albums that’d somehow been overlooked. Maybe things you might find cheaply online, maybe not, but if Real Gone could spread the word, its work was done. It was that simple.
Best remembered for big US hits ‘Isn’t It Time’ and ‘Every Time I Think of You’, British rock band The Babys have remained a cult favourite among AOR fans. The launching point of John Waite’s career, the band released a string of enjoyable albums between 1976-81 with their combination of fine 70s pop hooks and strong guitar driven melodies.
Often associated with the New Wave of British Heavy Metal, glam rock band Girl formed in London in 1979. Gaining a following on the live circuit, they quickly signed to Don Arden’s Jet Records – home to Electric Light Orchestra and Magnum – and released their debut album ‘Sheer Greed’ the following year. Decades on, if ‘Sheer Greed’ is mentioned at all, it’s by association. The band’s frontman, Philip Lewis, later joined L.A. Guns and guitarist Phil Collen replaced Pete Willis in Def Leppard, first appearing on the band’s third album – 1983’s multi-million selling ‘Pyromania’. Girl were always a reasonably good band in their own right, of course, and although by no means perfect, ‘Sheer Greed’ has enough good moments to remind listeners why they perhaps deserve a little more credit of their own.
Following 2018’s ‘Posterity’s Sake’, Protected Left’s 2019 EP ‘Fossil’ combines fierce riffs with personal commentary to create a five tracker that should appeal to fans of Propagandi and of the noisiest end of Strike Anywhere catalogue. In terms of thrash oriented punk, it feels a little generic but there’s absolutely nothing wrong with that, especially when played as well as it is here.