With its sweeping piano lines and jazzy bass, ‘Gry Maritha’ – the opening track from Kelsey Michael’s debut long player ‘Lethowsow’ – channels material from Joni Mitchell’s ‘Court & Spark’ and ‘Hissing of Summer Lawns’ period, but with the help of a swooning melody and vocal choir, it quickly takes on more of its own identity. Michael’s rich vocal joins a really great sounding tune, and although her voice is used very much carries the melody (as you’d expect), it never dominates the track as a whole. The song’s middle section gives way to some brilliant harp work capturing a dream-like quality, and an unexpected coda finds the band launching into a jazzier groove where the piano and bass come together in a way sounds like a welcome throwback to a McCoy Tyner recording. It’s at this point the listener could become aware of experiencing something rather special.
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BIG CANYON – Big Canyon
On their debut release, ‘Horizon’, British rockers Big Canyon delivered some absolutely massive riffs. Often sounding like a much bigger, warmer version of Tangier and Tattoo Rodeo, and akin to more recent, retro sounding hard rockers in line with Blackberry Smoke and Bad Touch (albeit with more of a bluesy edge), they couldn’t be faulted from a musical point of view. The lead guitar playing was especially impressive. A very retro, slightly scratchy vocal took a little adjustment, but with some strong material in hand, it was clear that, even at an early stage, Big Canyon were a band on the road to potentially better things.
STONE DISCIPLE – Stoner Thrash EP
‘Stoner Thrash’ by Stone Disciple is one of those releases that, to use an old phrase, does exactly what it says on the tin. The guitar tones used throughout are pure stoner; the speed of the material, less so. Attacking like a harder edged Fu Manchu colliding with a riffy, speed loving Sabbath clone, this EP’s songs cover all the important stoner bases, and yet convey an energy that feels pleasingly fresh at the time of release.
Listen: Skye share new track ‘What Am I’
A five piece band from the north west of England, Skye take in a wealth of hard rock, prog metal and alternative influences to create a massive hybrid sound.
On ‘What Am I’, the quiet, almost disquieting vocals and busy basslines owe a debt to the mighty Tool; a massive, relatively commercial chorus pulls influence from bands like Alter Bridge and Shinedown, and a really punchy drum sound adds something even harder. These things combined lead to a massive and genuinely impressive slide of contemporary metal that’s guaranteed to build upon the current Skye following.
THE REAL GONE SINGLES BAR #90
This week at the Singles Bar, we bring you a whole world of different sounds. You’ll find something with an orchestral heart, some adult singer-songwriter fare, an indie rock band experimenting with something almost prog-like, and some massive sounding synth based pop. There are a couple of big rock based tunes too, so it’s almost got all of Real Gone’s audience interests covered in eight well-chosen tracks. As alwoays, we hope you find something new to enjoy…
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