Graham Bonnet has always been prolific. Since the release of his self-titled album in 1977, he has barely stopped recording and touring, but the few years in the run up to this third release from Graham Bonnet Band has seen Skegness’s most famous export take on a phenomenal amount of work for a man in his 70s.
Beginning with 2016’s double set ‘The Book’, the veteran vocalist began a late career gold run, with that album presenting some massive new tunes alongside some tight re-workings from his past, creating a great release suitable for both the big fan and the more curious listener. He then played a one off show with a reformed Alcatrazz in Japan, and recorded with both Michael Schenker and Ezoo, before 2018’s ‘Meanwhile…Back In The Garage’ saw Graham and his band sometimes rocking out in a more casual way, but still delivering the goods in terms of riffs and hooks. At a point where most performers might consider stepping back to admire their handiwork, Bonnet then revived Alcatrazz again, toured, and eventually released the critically acclaimed ‘Born Innocent’ – the first new studio work from the band in almost thirty five years.
All star prog tributes are hardly a new phenomenon. Robert Berry and Yes man Billy Sherwood have been contributing to such releases since the 90s and it’s often resulted in records made with love. Occasionally, they’ve included a few tracks that’ve become essential collection fillers. There’s a Pink Floyd tribute from the 90s called ‘The Moon Revisited’ that brings together a host of famous faces recreating the monolithic ‘Dark Side of The Moon’ from start to finish. Naturally, the record isn’t as good as the original – nobody ever claimed it would be – but a run of tracks during the second half make it a keeper. World Trade’s take on the instrumental ‘Any Colour You Like’ and Robert Berry’s ‘Brain Damage’, especially, showcase veteran talents able to turn their hands to almost anything with ease.
The ongoing need for social distancing has meant the celebrations for the 2021 Record Store Day had to be split into two days, giving everything something of a fractured feel. In addition, the absence of David Bowie and a few other notable heavyweights this time around has contributed in making it all feel a little more subdued than usual. That’s not to say there aren’t a few great items up for grabs, of course, and for the second drop – scheduled for Saturday 17th July – these are our must-have bits. As always, your mileage my vary and all prices are a solid estimate.
Unforeseen sales in Australia for his 1977 LP (helped no end by a number one single) proved enough for the independent Ring-O Records to keep vocalist Graham Bonnet on their books. Eager to capitalise on this success, a follow up was recorded and released relatively quickly. Although ‘Graham Bonnet’ had been a largely patchy affair, compared to 1978’s ‘No Bad Habits’, it was a potential masterpiece.
In the late 60’s, singer-songwriter Graham Bonnet scored a massive hit single with cover of the Bee Gees’ ‘Only One Woman’ as part of pop duo The Marbles. Like so many pop acts of the era, The Marbles’ time at the top was brief. Neither of Marbles’ follow up singles or their album made anywhere near the same impact and they split soon after. Graham could’ve returned to his hometown of Skegness having at least briefly been a star, but realising he had more to give, he plugged on. He first made the move into recording advertising jingles as a means to pay bills, before releasing a couple more unsuccessful singles in the early 70s. Material for a solo album was recorded in 1974 but shelved for over forty years. After an appearance in the 1975 UK comedy film Three For All – starring his then partner Adrienne Posta – Bonnet finally made a step in a more positive direction career-wise when he signed a deal with the small Ring-O record label, with whom he released two full length albums, ‘Graham Bonnet’ (1977) and ‘No Bad Habits’ (1978).