Tag Archives: hardcore punk

“It’s Not Our Fault…”: An interview with Get The Fuck Outta Dodge

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At the tail end of 2019, Real Gone received an email requesting coverage from a band calling themselves Get The Fuck Outta Dodge. We had no idea what to expect. Within about thirty seconds of hitting the play button, it became clear that Dodge were one of the best bands we’d heard all year. Their lo-fi garage punk was never less than furious and in terms of a DIY set up, their then current EP, ‘We Make The Future Here’ raised the bar for independent noise making. We’ve followed their progress very closely ever since. In 2022, having survived a couple of years in a Covid ridden world, they found themselves in the studio with renowned Sheffield based producer Alan Smyth. In June 2022, James (bass/shouting) and Ren (drums/more shouting) dropped into Real Gone to talk about their whirlwind of work…

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GET THE FUCK OUTTA DODGE – It’s Not Our Fault Your Boyfriend’s Stupid

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Get The Fuck Outta Dodge are insanely prolific. ‘It’s Not Our Fault Your Boyfriend’s Stupid’ is the duo’s fourth release in a little over fifteen months. Unlike most bands, a global pandemic didn’t slow them down. If anything it amplified their work ethic, since James (bass/shouting) and Ren (drums/more shouting) could effectively work within their own bubble, and their quick and cheap recording approach more than lent itself to working within a limited set up.

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SEIZED UP – Marching Down The Spiral EP

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Bringing together a few familiar faces from the punk/hardcore scene, Seized Up are a supergroup of sorts. Drummer Andy Granelli was previously a member of Nerve Agents, but reached a far bigger audience when he played on The Distillers’ best selling ‘Coral Fang’ album in 2003; bassist Chuck Platt will be known to a lot of punk fans through his associations with Good Riddance, and vocalist Clifford Densmore is the vocalist with hardcore band Bl’ast. Together, they sound greater than the sum of their parts. On their 2020 debut ‘Brace Yourself’, the combination of pure hardcore blasts (‘Human Locusts’, ‘Older And Wiser’) complimented the more drawn out anger of tracks like ‘Shadow Panther’ to showcase the kind of band that, not only sounded truly comfortable in their new configuration, but more than able to bring a classic hardcore sound up to date if necessary.

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CHOICES MADE – Reason For Conflict EP

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Taking cues from the classic hardcore sounds of Ignite and the metallic edge of Cancer Bats, Choices Made deliver a world of fantastic riffs on their third EP ‘Reason For Conflict’. It’s half dozen tracks showcase some superb musicians throughout, and the short and sharp EP format actually helps the band’s pointed messages of unity seem even more forceful.

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GET THE FUCK OUTTA DODGE – These Songs Still Aren’t Ours

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Following a couple of DIY recordings, UK hardcore/noise punk duo Get The Fuck Outta Dodge turned their hand to the covers album. ‘These Songs Aren’t Ours’ brought an equal mix of punky chaos and fun when James (bass/shouting) and Ren (drums/more shouting) hammered their way through the expected (tunes by Black Flag, Misfits and Rollins Band), to the inspired (a fuzz heavy version of The Cure’s ‘Screw’) to the joyous and bizarre (hardcore reworkings of tunes by the oft forgotten Whale and 80s pop stars Fuzzbox). It showed why a covers album need not be lazy or uninspired. After what felt like about thirty six hours, the never resting duo returned with a new EP, proving their minimalist hardcore had a lot more to give, before ending the year with another full-length. At the point you’d expect their drums/bass/shouting approach to be wearing thin, ‘Buzzkill’ actually presented GTFOD at their most visceral on one of the best releases of 2020.

Four months later, the duo released a second onslaught of cover tunes, ‘These Songs Still Aren’t Ours’, which very much follows the same pattern as their first covers release. Nothing is off limits; everything is subjected to a barrage of distortion, and as before, their choice of material is both classic and off-piste. With twenty two tracks filling a strictly limited cassette, it really gives fans a lot to enjoy.

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