Goat Major’s debut album (‘Ritual’, released in 2024) was one of the best stoner/doom releases of the year. The still-new Welsh act mixed a classic Sabbath and Kyuss infused heaviness with an occult leaning and a pinch of dark psychedelia to create an album that sounded like something you’d always known, yet still wielded a world of huge sounding doomy metal riffs in such a way that the material still felt genuinely thrilling. Rather wisely, the band have largely chosen to stick to a similar formula for their 2026 follow up, ‘Death Comes Twice’, a collection of intense and heavy bangers that reinforces the idea that Goat Major are one of the UK’s best up-and-coming metal acts at the time of release.
Tag Archives: doom metal
OREYEON – The Grotesque Within
On their 2019 LP, ‘Ode To Oblivion’, Oreyeon delivered a set of songs driven by absolutely crushing riffs. Blending the stoner/fuzz of classic Kyuss into a doomier musical landscape, the record’s best songs were unrelentingly heavy, and yet a world of vocal filters and other tricks sometimes gave their sound a deep psych edge which kept things interesting. Over the next few years, Oreyeon would become an important fixture within the Italian doom and sludge scenes. By the time they recorded ‘Equations For The Useless’ in 2022, a much bigger recording budget gave them a slightly clearer sound, but without making their material especially more accessible. If anything, it cemented the band’s reputation as one of Europe’s finest underground metal bands.
PALE HORSE RITUAL – Diabolical Formation
In October 2024, Pale Horse Ritual released the ‘Enchantress’ EP, a brilliant four song slab of metal that blended doom, stoner and deep psych to create something that sounded like the missing link between ‘Volume 4’ era Sabbath, the heavier moments of Monster Magnet’s best jams and Goat Ritual. It may have only been short, but for lovers of a fuzzy stoner riff, it proved to be an essential listen, and one that stoked up excitement for a follow up.
BLUE HERON – Emulations
Since their formation in 2018, US desert rock/heavy stoner band Blue Heron have been utterly committed to sharing massive riffs. Although parts of their 2024 full length ‘Everything Fades’ were a little more accessible from a vocal perspective, on a musical level, the album retained the kind of heaviness fans had come to expect, cementing the band’s reputation as one of the underground scene’s best and most intense acts.
Continuing a run of yearly new releases since 2022, ‘Emulations’ is a stop gap affair, combining four newly recorded tracks with a blistering live session, but it shouldn’t be considered a “filler” in any way.
Listen: Sun Below share new epic track ‘Mammoth’s Tundra’
‘Mammoth’s Tundra’, the current single from Sun Below, first began life in 2023, before going through “significant changes” to wind up being the massive behemoth that kicks off the band’s 2025. The opening riff shares a slow, classic doom sound, instantly advertising the band’s heavy feel. After several bars, maybe at the point you’d expect a vocal to appear or the riff to do something dramatically different, Sun Below merely choose to heavy everything, whilst simultaneously slowing down to a sludgy crawl. The appearance of a vocal lends something Melvins-esque, before the doomy vibes slide into a slightly more melodic blues-doom sound, by which time, you’re either completely behind the band, or not. Working a Sabbath-on-steroids groove, the combo of drums and guitar latch onto an even deeper brand of doom, before the sludge comes back for a second assault.