Tag Archives: doom metal

THE REAL GONE SINGLES BAR #67

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the last few weeks. On the surface, this might appear to be a rather louder selection with picks from German industrialists, American doom merchants and some unfamiliar indie rockers laying the foundations. It isn’t without the typical SB variety, however, since you’ll also find some downbeat singer songwriter fare and a great piece of cosmic country among other things. As always, we hope you find something new to enjoy!

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THE REAL GONE SINGLES BAR #54

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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. This time around, we bring you some Americana via Australia, some huge electro-pop, a devastating piece of metal, the return of some yacht rock heroes, and more besides…

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DRUIDESS – Hermits & Mandrakes EP

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With an opening track titled ‘Witches’ Sabbath’, this EP from British rock band Druidess makes no secret of its chief influences and interests. However, in a world that can feel overpopulated by doom and stoner metal bands, these guys really stand out. Their occult themed material and huge riffs fill the void left by Witch Charmer and Black Moth, and throughout the material on this debut, Shonagh Brown’s melodic vocals provide a superbly clear counterpoint to the band’s otherwise heavy sound.

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DOPETHRONE – Broke Sabbath

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In the pre-release press materials for ‘Broke Sabbath’, Canadian sludge metallers Dopethrone referred to the album’s material as having gone “full on ‘Volume 4’…”, and although the band aren’t working in a pure doom genre, in terms of intensity, it’s possible to see what they mean. Sort of, at least. Back in ’72, Sabbath’s fourth album was their most uncompromising to date, and by association, one of the heaviest albums to date from metal’s first wave. Although far sludgier, the best material here certainly has the same relentless quality that tracks like ‘Wheels of Confusion’ would have conveyed decades earlier. Without quibbling too much over a difference in style, whichever way you slice it, this is an album that takes its art to the absolute extreme.

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