Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time out, we’ve got a number with retro post punk leanings, a catchy piece of garage pop, a huge and jangly workout that falls between garage rock and melodic punk, something insanely heavy, and more besides… As always, we hope you find something new to enjoy.
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Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, there’s an amazing ballad from a veteran singer-songwriter, some really cool retro vibes from a brand new rock act, a slab of almost perfect shoegaze, and a metal oriented number that flaunts a massive 90s riff with an industrial edge. You’ll also find a piece of Americana tinged pop-rock that shows massive promise, and more besides. As always, we hope you find something new to enjoy!
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Throughout 2025, Brighton’s The Rockerati propped up the British rock underground with a couple of enjoyable singles and an EP, all of which captured a pleasingly natural, analogue inspired sound. Favouring energy over originality, volume over finesse, the band’s finest tracks played with a nostalgic bent, but at the same time, never showed The Rockerati’s approach to be in any way tired.
Those paying attention to the UK’s indie, shoegaze and dream pop scenes early in 2026 might have already discovered ‘Find Me There’, a fantastic track from Wiltshire based Shapes Like People. A fantastic single that sounded like the perfect dream pop throwback to 1993/1994 with its Cocteau Twins inspired shimmering guitar lines and clean vocals, it suggested that the upcoming Shapes Like People album would potentially be great.
A quarter of a century ago, Modesty Blaise released a self titled album full of retro pop gems that took cues from various touchstones from the past, including The Beach Boys and The Zombies, and recycled them with love. A second record, ‘Melancholia’ improved on the formula, and at its best, the record flaunted a huge budget and equally big hooks. In terms of that kind of musical pilfering, Jellyfish became absolutely worshipped in the power pop community, and by comparison, Modesty Blaise have sort of become also-rans. That deserves to change.