When Record Store Day first began, it was a great idea. Those who were regulars at independent record shops like Avalanche in Edinbugh and Resident in Brighton could potentially get their hands on very limited, exclusive items. It was a celebration of record buying culture, more than anything. Over the years the event has grown. After all of the major labels sensed a potential cash cow, it increasingly became about reissuing stuff en masse at inflated prices.
Record Store Day has become an event full of mixed feelings. There are now tales of people not actually visiting their local (and favourite) stores on RSD as the crowds of unfamiliar faces have made the experience quite stressful. People queue for hours in the hope of finding one of the many artificially created rarities – a lot of which seem to appear on ebay just hours later at even more inflated prices. In recent years, there have even been dealers “pre-selling” their RSD wares on the internet up to two days before the event that was supposed to get people into their shops.
Between May and July 2017, Real Gone embarked on an ambitious audio project. A huge library of streaming audio, ‘The Great 70s Project’ became one of the year’s most popular features.
The plan was to delve deep into the decade’s music, but dig much deeper than revisiting the hits. We hoped that by presenting the hits alongside some fabulous album cuts and neglected b-sides, our look at the decade would create new favourites and also encourage listens to long neglected albums.
The mention of 1976 for most people over a certain age in the UK will invariably invoke remembrances of one of the hottest summers on record. There’s more to the year than just drought, though. There’s disco, classic rock and pop.
It was also the year that punk broke into the mainstream. A whole new world of music was born.
It was the year we checked into ‘Hotel California’ for the first time…and with it becoming a radio staple, true as the song’s tale, we never really left. Queen followed their ambitious ‘Night At The Opera’ with the equally grand ‘A Day At The Races’ and Jeff Beck continued his voyage into fusion with ‘Wired’. As Real Gone’s Great 70s project reaches 1976, we take a dip into those classic albums and far more besides.
At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart. 1975 very much follows that trend, but pushes some of the focus back to great albums.
Maybe as a reaction to the previous year, though maybe just coincidence, 1974 didn’t have the all round focus of it’s forebears. Whereas 1973 had been a home to various albums that have spanned generations, ’74’s best strengths were in the singles market.
Bowie’s escalating drug habit left him with ideas of an unfinished musical and an album that’s arguably his most unfocused of the decade. ‘Rebel Rebel’, however, remains a great and enduring single cut, brimming with the last vestiges of glam. Lulu did an excellent job of covering ‘The Man Who Sold The World’ and ‘Watch That Man’, filling both sides of an essential 7″, Ace’s ‘How Long’ – while easily dismissed as soft radio filler has stood the test of time and now sounds like a near perfect piece of songcraft, while everyone’s favourite ragamuffin, David Essex, topped the UK chart with a smart and disposable single about making disposable pop music.