Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time around, we’re pleased to share a piece of retro pop, a great track from an up and coming singer songwriter, a slab of ambient desert rock, and more besides. As always, we hope you find something new to enjoy!
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By its very nature, prog rock is complex, and the fans love that level of indulgence. ‘More Than Meets The Eye’ by multi-instrumentalist/songwriter John DeMena takes that to extremes, but manages to convey a feeling of an artist actually using his musical talents to progress, rather than just wheeling out some obvious Yes-isms or some outdated and misguided tribute to Gentle Giant.
After releasing three fantastic albums in ‘Demons and Wizards’, ‘Magician’s Birthday’ and ‘Sweet Freedom’ as well as a classic live document in a little over a year between May 1972 to September 1973, it’s no wonder Uriah Heep sounded less inspired on their 1974 LP ‘Wonderworld’. Although not a document from a creatively spent band, the album included absolutely nothing memorable in the long term. Bizarrely, the best track dating from those sessions,’Stone’s Throw’, was never completed. Released in demo form on an expanded reissue of ‘Wonderworld’ in 1996, it knocks the entire album into a cocked hat. Following bassist Gary Thain being electrocuted during a show in Texas on that tour, 1974 could very much be considered the end of the band’s “imperial phase”.
With new tracks from a couple of the indie scene’s UK/Irish leading lights and a Bristol based guitar driven band who’ve already attained cult status, this visit to the Singles Bar feels rather weighted towards jangly material and swirly shoegaze sounds, but with a very retro sounding track that fuses blues rock with prog flourishes and a dreamy number from a French singer-songwriter, there’s a sharp contrast too, helping to keep the usual love of shining a light upon the most cult of artists. Bolstered by an unexpected reissue from the 80s and a lo-fi workout that could split opinion, it’s certainly an interesting selection this time around. As always, of course, we hope you find something new to enjoy!
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This fifth album from Polish deep psych merchants Weedpecker had a long gestation period. The material started taking shape in 2023, and the original demos had all been recorded by the end of that year. With so much doom, sludge and deep psych taking on a raw, live in the studio feel, you might wonder how different the material sounded back then, since ‘V’ didn’t actually reach the public until the beginning of 2026, but no matter what changes were made in the interim, the record sounds superb.