Formed in 2015 by one-time Gotohells man Edo McGrady and guitarist/performance artist Melissa DuCasse, Cheap Gunslingers set about creating a sound that blended garage rock riffs with a few power pop hooks and plenty of fuzz. By the time of recording their debut LP four years later, Melissa wasn’t such a big player within the band, appearing only on three tracks (and two of those are for backing vocals), but between McGrady’s sheer sense of drive and a pleasingly dirty sound, the Cheap Gunslingers were far from depleted.
Formed in the mid 90s as a punk outfit, The Peawees quickly established themselves as a band to look out for on the European scene. Over the next few years, they became musically stronger and eventually injected their sound with some good old rock ‘n’ roll attitude. A firm fan favourite, their third album ‘Dead End City’ was issued on Stardumb Records in 2001. The first pressing sold out in record time; a second pressing sold out very quickly and a vinyl reissue on Stardumb featuring bonus tracks was snapped up by eager fans, always keen for a Peawees fix. Although considered one of the band’s very best albums and a European punk classic, it took until 2019 for the album to gain a CD reissue and a US release…
After over two decades in the business, Italian garage rock/power pop band The Peawees have created more than a musical legacy. Their 2018 LP ‘Moving Target’ provided an excellent insight into the band’s style – a great listen for anyone unfamiliar with the band – delivering great hook after great hook. A tribute to Phil Spector on the suitably titled ‘Phil Spector’ provided an album highlight on a track big on retro riffs and even bigger on sleigh bells.
A new track, ‘You Don’t Know Me’ adds further to the band’s legacy with a three minute, guitar driven blaster that combines the more commercial feel of early 90s Social Distortion with the chorus thrills of Gaslight Anthem, all wrapped up in something that pays homage to ‘I Fought The Law’.
In October 2018, Boston rockers Watts returned with a new digital single ‘Queens’, a blast of guitar-driven goodness that added another piece of retro trashiness to their expanding legacy.
Moving into the new year, they’ve kick started 2019 by sharing another new track.
In 2018, Real Gone celebrated its ninth birthday. It’s been a long and hard road to this point, but we’re pleased to be celebrating our most successful year online to date. Hundreds of new albums have been heard and a record number of gigs have been attended. Not only has this year been our biggest success…it’s also been our favourite.
Nearing the close of 2018, it’s time to look back and celebrate our favourite events – including our top ten album releases…
Normally, each year has an album that’s a clear stand out. Making that distinction this time around has been somewhat trickier, so we’re awarding a joint “album of the year” to two very different albums. If that seems like a cop-out, we don’t care…there really was only a hair’s breadth between them.