Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the last few weeks. Although this selection digs deeply to showcase recent tunes from up and coming talents, there’s one name here that should be familiar to most. We’ve also got a couple of superb singer songwriters, some classic sounding dream rock, and even a superb sounding single from a cool pop act. As always, we hope you find something new to enjoy!
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Throughout 2024, we’ve featured literally hundreds of new tracks in our weekly Singles Bar column. Never committed to any particular style or genre, the SB has become a haven for any new tracks that have caught our ear, and we’ve introduced people to a whole spectrum of new bands. There wasn’t time to cast a spotlight on everything we loved, however. So, as we get ready to wave goodbye to another great year for music, we’ve brought together a selection of twenty five great tracks that slipped under the radar during the second half of the year. These are more than mere leftovers – every track deserves a loving ear. We’ve got singer songwriters; we’ve got melodic prog; we’ve got a couple of metal-centric workouts, indie bangers, and even a pinch of blues. If you’re a regular visitor to the Singles Bar, we know you’ll find more stuff to love!
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On her 2022 EP ‘To Go’, Ciao Malz presented some interesting alt-pop sounds. It’s finest three minutes,‘Your Winner’, introduced listeners to someone who appeared to meld the Fleetwood Mac obsessions of Lissie with the pop of Chvrches. By centring everything around a superb bassline, the light pop sound also shared a great groove, creating a sound upon which singer-songwriter Malia DelaCruz could certainly build. The late period Rilo Kiley influence at the heart of ‘Around’, in particular, proved this was no fluke.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous couple of weeks. We think this selection is an interesting one, with something to entertain a broad range of different ears. We’ve got an acoustic based singer songwriter who sounds like they’re heading for big things, some re-promotion for a rock based banger, something with a ska heart that’s almost timeless, a bit of pop infused country, and more besides. As always, we hope you’ll find something new to enjoy!
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Keeley’s first full length album ‘Floating Above Everything Else’ was a game changer for the cult dream pop/shoegaze band. It showed how Keeley Moss and her assembled musicians could sustain a great sound far beyond their previous EP format, but also weave a compelling narrative. With a suite of songs largely devoted to the murder of traveller Inga Maria Hauser it blended great music with a thoughtful lyrical construct. It was clear from the beginning of their journey that Keeley were a cut above any similar bands, but, with its truly absorbing style, this album more than proved it. The recycling of the earlier ‘The Glitter & The Glue’ single certainly didn’t hurt either, since in terms of all round accessibility and catchiness, it’s one of Keeley’s strongest numbers.