The first three Sunstorm albums are classic melodic rock discs. Between a set of great songs and the strong vocal presence of the legendary Joe Lynn Turner, ‘Sunstorm’, ‘House of Dreams’ and ‘Emotional Fire’ (issued between 2006 and 2012) gave AOR fans a trilogy of unmissable releases, each one providing a great showcase for Turner, a man whose voice sounded pretty much as good as it did back in 1981. While the next two releases took on a slightly heavier direction – moving away somewhat from Sunstorm’s original remit – some well written songs and strong vocal performances ensured they were still enjoyable listens.
At the end of 2020, it was announced that Turner had parted ways with the band. This would be a massive blow for his many fans who’d primarily stuck with Sunstorm due to his involvement. More importantly, his absence means that 2021’s ‘Afterlife’ showcases a Sunstorm with absolutely no original members. The core of the band have only been in place since 2018’s ‘Road To Hell’, and the only link with anything further back comes via keyboard player Alessandro Del Vecchio – and he doesn’t really count, as he’s the record label’s hired hand who’ll basically play on absolutely anything for a few quid. With ‘Afterlife’ being Sunstotm in name only, maybe it was time to throw in the towel?
Since the early 90s, vocalist Gary Hughes has been one of the most important figures on the British melodic rock scene. His second solo album helped launch the much missed Now & Then record label and his subsequent work as frontman with pomp rockers Ten has taken his big voice around the world.
Back in 2015, Keith Emerson and Robert Berry hatched a plan to follow up their album ‘To The Power of Three’. That album (released in 1988 under the band name 3) became a cult classic, beloved by prog rock devotees and AOR fans alike, so the mere idea of a second record (no matter how belated) seemed to be cause for celebration. Various musical ideas were set in place for the new record over the next few months. Unfortunately, any future plans for the reborn 3 were put on hold in 2016 after Emerson’s untimely death.
Berry eventually paid tribute in the best way possible by ensuring all of Keith’s final musical ideas finally came to light. The resulting album ‘The Rules Have Changed’ (released under the 3.2 moniker) captured so much of the spirit of the original 3 with it’s melodic rock/prog crossover sound, but despite some great press, some of the fans seemed less enthusiastic. Those who viewed the album negatively insisted there couldn’t be a 3 album without Emerson, completely ignoring the fact that Berry had painstakingly structured a whole new work from Keith’s ideas. As always in prog circles, those who would never be pleased – no matter how good the outcome – made far too much noise and showed themselves to be wholly un-progressive in their attitudes. Those fans who seemed absolutely appalled by the idea of Berry releasing a second album based on Emerson’s ideas will surely explode with anger at the audacity of a third release, this time created solely from Berry’s own compositions.
When Stardust appeared on the melodic rock scene in 2016, they managed to build a fanbase fairly quickly. Their self-released EP captured a likeable sound and by securing the legendary Michael Wagener – producer of classic albums by Skid Row, Warrant and White Lion – to bring the songs to life, the Hungarian band’s career seemed to get off to a better start than most. Fan enthusiasm brought them to the attention those long time champions of AOR/melodic rock, Frontiers Records, who quickly signed up Stardust for their full length debut.
For many melodic rock fans, guitarist Josh Ramos is a man who’ll need no introduction. In the 90s, he was a member of The Storm, a fine AOR band that featured ex-Journey men Gregg Rolie and Ross Valory. He later achieved success as driving force behind Frontiers Records signings Two Fires, an act much-loved by genre fans the world over. At other times, he’s been a member of Hardline, a melodic rock outfit who’ve battled on against changing fashions and changing line ups, but could often be relied upon for a decent end product. Yup, Josh has always kept himself busy, and while his approach to things might make him seem like a “man for hire” rather than a genuine star in his own right, he’s often made some smart career choices.