When most people think of Dr. John, first, they’ll think of his 1968 album ‘Gris Gris’ – a groundbreaking work melding voodoo blues, deep psychedelia and a touch of New Orleans jazz – or his popular ‘Right Place, Wrong Time’ single which showed a love of funk that fit the early 70s perfectly. Maybe they’ll think about his appearance at The Band’s Last Waltz, where he was invited to sing ‘Such A Night’, captured on celluloid for future generations to discover.
Eric Clapton is more than fairly represented when it comes to concert DVD releases. In fact, these stretch to seventeen different releases at the close of 2018. However, most of these feature festival shows from after 1999 and only really represent the latter stages of the legendary musician’s career.
When Smashing Pumpkins made their one and only UK stop in London on the first leg of the much anticipated ‘Shiny & Oh So Bright Tour’, it was an utterly thrilling experience. A mammoth three hour audio-visual extravaganza, the set made fantastic use of video screens and costume changes. Despite being in a huge, impersonal venue, it truly felt special – a show in every sense. [A full review of the night can be found here.]
In 2005, the unexpected happened. Dinosaur Jr.’s J. Mascis and Lou Barlow buried the hatchet after several years of not speaking to each other. This led to the previously unthinkable happening – completed by Murph on drums, the band headed back into the studio. Their 2007 comeback record ‘Beyond’ was a great return.
Most people expected the reunion to be short-lived, but more albums and tours followed: ‘Farm’ was possibly even better than ‘Beyond’; ‘I Bet On Sky’ melded a rough production style with some great songs and while 2016’s ‘Give A Glimpse of What Yer Not’ could be considered the band on autopilot, it featured a classic Dinosaur sound throughout.
In July 2017, Los Angeles retro rock duo KOLARS visited Ramsgate Music Hall for the second time. Expected to be a good night, the sweaty and intimate atmosphere resulted in a night that the audience would never forget. The night was made even better by the presence of Smoke Season in support.
Although Smoke Season don’t have much in common with KOLARS, their brand of electronic pop proved particularly enthralling. Backed with the kind of sophisticated pop made by Alice & The Glass Lake with flourishes of electronica and dream pop, Gabby Bianco showed real star quality and – much like the KOLARS set, it was hard to imagine such a performance translating quite as well in a bigger venue.