JOSALEIGH POLLETT – If I Let It Quiet

Josaleigh Pollett’s ‘Radio Player’ is a rather special recording. Its opening sounds throw the listener into a world of dark synthwave, suggesting something rich in atmosphere. It then takes a somewhat dramatic twist when Josaleigh adds a vocal that, at first, suggests they have a love of classic dream pop, before an increase in volume allows their voice to reach for something much bigger. Hitting a couple of soaring notes, this presents a talent with a huge, natural tone, drawing the listener further into a world where Pollett’s love of almost cinematic sounds comes into its own. It’s then all change again, when a selection of programmed beats add a hard rhythm, calling back to the late 80s and a time of sharp sounding analogue synths. This contrasts brilliantly with a very human tone, but also adds a feeling of directness beneath a lyric exploring a world where the protagonist falls asleep in the glow of a TV signal, almost as if placing themselves the world of the classic ‘Poltergeist’.

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JULIA GREENBERG – Born Sentimental

There’s an old soul lurking within ‘Leaves’ by Julia Greenberg. The acoustic guitar lines and upright bass evoke elements of Joni Mitchell’s folk-jazz crossover sound circa 1974 at first, but the feeling of hearing something classic runs far deeper than that. An unpolished vocal owes more to Marianne Faithfull and her unapologically confessional style, and the presence of a tasteful accordion gives the feeling of something distinctly European. With a lack of percussion, the listener is constantly drawn towards the vocal and the lyric, shared with a perfect confidence, but despite a wordy approach, ‘Leaves’ is also a track that flaunts a simple and catchy hook, making it feel perfectly rounded. Working its charms from the very first listen, this is a must-hear for lovers of singer-songwriter fare, and by flaunting a defiantly vintage quality, it gives Greenberg’s ‘Born Sentimental’ EP a very strong centrepiece.

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THE REAL GONE SINGLES BAR SUMMER SPECIAL 2026

We’ve reached the middle of 2026 already, and for the first half of the year, submissions to our Singles Bar have been coming in fast. Naturally, there hasn’t been the time to highlight everything we’ve enjoyed from week to week, and a lot of great tracks have not made the cut. Passing these by would be an absolute tragedy, so, as is traditional at the end of June, we’ve pulled some of the “best of the rest” together for our SB Summer Special! These were picked from a staggering 230 track selection, but we feel they best capture the Singles Bar spirit. We hope you can spare the time to explore this selection of tunes, and as always, hope you find something new to enjoy. Remember: good music does not have a sell-by date!

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THE REAL GONE SINGLES BAR #161

This visit to the Singles Bar takes in various moods, highlighting a varied selection of submissions over the past two weeks. We have an absolutely superb track capturing a perfect indie/dream pop sound, some amazing folk rock, a sidestep into soul-pop, a nod to 90s slackerdom, and a great piece of contemporary alternative metal. There are also tracks from the world of power pop and retro shoegaze, so there’s a little of everything that we feel keeps the SB – and Real Gone as a whole – constantly interesting. We hope, as always, you find something new to enjoy.

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THE REAL GONE SINGLES BAR #145

This visit to the popular Singles Bar presents a variety of new and underground sounds. There’s a singer songwriter sharing a deep folk melody, the return of some British ska legends, and even a tune from a legendary Britpop act that’s a little different to many of their biggest hits. You’ll also find a great cover tune, a massive slab of Finnish metal, and more besides… As always, we hope you find something new to enjoy!

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