Covers albums can be a lazy stop gap, a contractual obligation filler or – worst of all – a pointless exercise in rehashing tunes with no imagination. When done well, they can be fantastic and make you hear things in a way you never imagined. In the hands of Los Angeles noise rock/shoegaze band Medicine – famous to UK audiences for their contribution to the soundtrack for ‘The Crow’ – 2019’s ‘Scarred For Life’ provides an opportunity to dive into the past and re-imagine various cult tracks, bringing a few of their choices to a whole new audience. Although you might expect a band like Medicine to take the easier route and fuzz up a few old gothic favourites, on this eleven track release, they give their fans lots of surprises. Taking various songs from the 60s and 70s (in addition to a couple of other detours) this is a record that, in their own words, “relieves the glory of the K-Tel architechts”. That doesn’t mean the band are about to cover the likes of ‘Yellow River’, ‘Jeans On’ and a well known Suzi Quatro hit, though. This is Medicine, after all…and their voyage through decades past often favours deeper cuts.
Power pop/pop-punk band Tommy And The Rockets first appeared on the scene in 2016. Their debut album ‘Beer And Fun And Rock ‘n’ Roll‘ – co-written with LA based songwriter Michael Chaney – quickly asserted itself as a summer classic with some great Ramones-ish material and a short and sharp playing time. A couple of EPs followed, but it felt like a case of diminishing returns, as nothing quite matched the levels of fun whipped up on that first disc.
Two years on from ‘Beer And Fun…’, Tommy And The Rockets cover familiar ground on ‘I Wanna Be Covered’, presenting a selection of Ramones tunes. The Ramones covers album has been done to death (especially with at least six of their albums having been covered in their entirety), but somehow, hearing yet another band wanting to share their love for such timeless tunes never feels boring and Thomas Stubgaard – at this point the sole member of the Rockets – brings just about enough of own style to the project to ensure it doesn’t feel like a waste of time. Although he hasn’t tackled anything after 1980s ‘End of The Century’, he’s not necessarily chosen the most predictable song selection either, which might encourage a few more people to take a listen out of curiosity.
In 2018, Croatian hard rockers Animal Drive released their debut album ‘Bite!’ on Frontiers Records. With plenty of hard rock crunch, the record drew parallels with the heavier end of Skid Row’s early output, as well as showing off more than a passing fancy with the late, great Ronnie James Dio. The record featured at least a half dozen cuts that were well worth hearing, but if anything, it was the Dio-tastic ‘Time Machine’ with its heavy but melodic riff which best demonstrated the band’s skills.
Teaming The Zeros’ vocalist Victor Penalosa with The Trebles’ guitarist Xavier Anaya, garage rock band The Phantoms released a full length on Rum Bar Records back in 2015. Tapping into various retro grooves and kicking off with the superbly trashy bar-room workout ‘Baby Loves Her Rock ‘n’ Roll’, the record was well received by the underground press. Two years on, the band reunited and recorded a bunch of no-frills cover tunes.
Having already released four studio albums under her own name, including one with other blues musicians Cassie Taylor and Dani Wilde, much like her UK counterpart Joanne Shaw Taylor, Samantha Fish has carved out a successful career on the blues circuit.