THE REAL GONE SINGLES BAR #87

This week’s Singles Bar is a rock-centric affair, but we’ve attempted to pull together a selection of tracks that really capture a wealth of different moods. There’s a track with 90s dream rock/shoegaze flair, a slab of Finnish metal with thrash elements, a classic sounding and very 90s influenced tune, and something with light prog leanings. Those hoping for something highlighting other genres should also find pleasure within some great power pop and a timeless sounding country-pop number marking the return of a great singer-songwriter. January is often notoriously quiet for new releases, but there should be enough here to pique your interest as usual!

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BAD MARY – Better(er) Days EP

A lot can change in ten years. Unlike most DIY punk/alternative bands, though, for Bad Mary, issues with an ever shifting line up hasn’t ever been a factor. Since day one, the unity between vocalist Amanda Mac, her drumming dad Bill, bass playing husband Mike and guitarist David has been unquestionably strong. What has changed in that time, however, is the band’s recording budget and their collective musical skills. The 2024 Bad Mary sound much bigger and much fiercer than their younger selves. With that in mind, they chose not to mark a decades’ worth of work with a career spanning compilation, but to re-record some of the best tunes from their ‘Better Days’ debut disc.

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Listen: The Othyrs share new track ‘Nobody Knows’ ahead of album release

On their self titled debut album, The Othyrs – a band featuring members of indie band The Wolfhounds – explored a world of acoustic-based folk and pop music. On stripped down tracks like ‘Money To Burn’, the quieter musical stance provided a superb backdrop for Alice Golding’s pure vocals, whilst busier numbers like ‘Time’s No Martyr’ and ‘Wasps & Nettles’ showcased great harmonies shared between the various band members. With a couple of tracks that sounded very much like a callback to Indigo Girls’ classic self-titled disc, it was a record with an almost timeless sound.

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KEELEY – Beautiful Mysterious

Keeley’s first full length album ‘Floating Above Everything Else’ was a game changer for the cult dream pop/shoegaze band. It showed how Keeley Moss and her assembled musicians could sustain a great sound far beyond their previous EP format, but also weave a compelling narrative. With a suite of songs largely devoted to the murder of traveller Inga Maria Hauser it blended great music with a thoughtful lyrical construct. It was clear from the beginning of their journey that Keeley were a cut above any similar bands, but, with its truly absorbing style, this album more than proved it. The recycling of the earlier ‘The Glitter & The Glue’ single certainly didn’t hurt either, since in terms of all round accessibility and catchiness, it’s one of Keeley’s strongest numbers.

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VARIOUS ARTISTS – Popscene: From Baggy To Britpop 1989-1994

The early nineties were an exciting time for guitar based music. Grunge dominated the rock scene, but as any avid viewer of the ITV Chart Show will tell you, circa 1992, the indie chart was brimming with great bands, often more of a UK vintage. Shoegaze sounds captured the underground; jangly indie acts – like The La’s and World of Twist – celebrated more of a 60s vintage, and the social commentary that drove bands like Carter The Unstoppable Sex Machine and The Wonder Stuff found itself crossing over for massive chart success.

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