Billed as a “post-punk disco project”, Boston’s downtalker (always credited in a lower case) bring retro sounds of a little left of the norm on this double whammy of digital singles. At a time when a lot of the underground seems obsessed with 90s indie and 80s pop, these guys have channelled their inner weirdos to bring you something a little different.
Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. This time around, we bring you a vast array of great tunes, ranging from indie, to especially noisy post punk, to electronica; there’s some brilliant Americana, and even an unexpected collaboration. This collection of tunes really captures the variety we aim for within this regular feature so, as always, we hope there’ll be something to entertain everyone. The quest to bring you great new and recent music is still ongoing – if you have anything you think would be a great fit for a Singles Bar feature sometime in the future, please get in touch!
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Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. This has become a popular feature for the site, and its disregard for genre restraints has ensured that a variety has kept it interesting. This week, we bring you a new track that unites a cult rock hero with a busy power pop figure; some great pop from a Scottish singer songwriter, and some massive metal sounds from Greece. As always, if you discover anything new you’ve enjoyed, come and tell us – we always value your feedback. Submissions for the Singles Bar are coming in by the dozen, but if you have something you think might work for us, don’t be afraid to get in touch.
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When a release promotes itself as “power pop”, you’d probably hope for something in the time honoured power pop tradition – maybe the early MTV sounds of Shoes, or something with the killer choruses of Fountains of Wayne. Something with a strong sense of melody; almost certainly something with a core that centres around the golden age of pop/rock from the 70s and 80s. What the term “power pop” doesn’t suggest is any of the thin, trebly indie sounds or bursts of garage rock noise that make up the bulk of Dolls’ 2020 EP ‘Eggshells’.
Welcome back to the Real Gone Singles Bar, the place where we explore the various individual mp3s that have landed in our inbox over the previous few weeks. It’s a place that is not concerned with genre; it can also lead to unexpected finds. It’s somewhere we celebrate stuff we’ve enjoyed, regardless of any usual listening preferences, or visitors’ expectations from our website. The “mixed bag” approach keeps it as interesting for us as it does for you! This week, we bring you some great alternative pop, some timeless sounding Aussie rock, the return of Roisin McCarney, a well loved track re-imagined, and more besides. If you find anything here you’ve enjoyed, please drop by and tell us. Also, if you think you have a new track that would have a place at the Singles Bar in future, please get in touch. We’d love to hear from you.
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