What Else Is New?: The 2019 Dinosaur Jr. Reissues

There have been various Dinosaur Jr. reissues over the years – most notably the Rhino CDs from 2010 – but none that have served the band especially well in the age of deluxe editions and lavish box sets for legacy artists. The Rhino reissues were a step in the right direction with each featuring a smattering of bonus materials (save for ‘You’re Living All Over Me’ which managed to be a potential downgrade from the earlier SST CD), but those still didn’t give the big fans too much in terms of unreleased materials or rarities. Luckily, the 2019 campaign from Cherry Red Records puts that right. The period between 1990 and 1997 presents their most commercially successful, but with that came four great albums, an archive of unheard live material and a lot of other stuff that deserves to be shared.

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LEFT HAND PATH – Left Hand Path EP

Taking their name from the classic Entombed album from 1990, Romanian metallers Left Hand Path are the kind of band you’ll only have to hear once to realise they mean business. Their self-tited release from 2019 is a monstrous, riff-heavy disc that will gain an instant love from fans of the heaviest end of groove metal, as well as from those listeners whom aren’t about to let an obtuse vocal stand in their way of riff-based enjoyment.

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HEMBREE AND THE SATAN SISTERS – F.Y.F. EP

Formed at the tail end of 2017, Hembree And The Satan Sisters was borne from frontman Zachary M. Hembree’s desires to record more punk oriented material. Teaming up with ex-members of Guff and Burns Like Fire, The Satan Sisters finds Hembree (ex Nuclear Blast signings Toro) opting for speed and crunch over traditional heaviness and their debut release is…immense. Packing nine tracks in under twenty minutes, the EP format suits the band extremely well, allowing their music to greet the listener with a genuine sucker punch.

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THE FIERCE AND THE DEAD – Live USA 17

2018 was a landmark year for UK art rockers The Fierce And The Dead. The release of their third full length album really caught the imaginations of those at Prog magazine and their readership. Always progressive rather than prog, TFATD really branched out on that record. Some of its material (‘Truck’,’48K’) showed the band in a slightly heavier mood than before, while other bits seemed more commercial…without actually being commercial, if that makes sense. Whatever, the album and its subsequent coverage found the band in a position of strength. With an army of new fans, they could now legitimately call themselves a cult band.

The lead up to ‘The Euphoric’s release was first documented on ‘Field Recordings’, a live album recorded in 2016 at the second Rambin’ Man Fair in the UK. This second live release captures the band a year later at Rosfest 2017 during a rare visit to the US. But…with not that much time since ‘Field Music’, is there any real need for a second live release?

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KXM – Circle Of Dolls

Over the years, dUg Pinnick has put his name to some fantastic albums. His long career with King’s X has afforded him a legendary status. Likewise, guitarist George Lynch has performed on some great material. Even at times when Dokken’s material didn’t hit the mark back in the 80s, Lynch’s lead guitar work was almost always terrific. In theory, a union between the two should have created hard rock gold, but unfortunately, the first two albums released by KXM – their supergroup with KoЯn’s Ray Luzier – were patchy affairs. 2017’s ‘Scatterbrain’ was an improvement on the 2014 debut, but still fell a little short in direct comparison to anything by King’s X at their very best. The bulk of this third album – their first for Frontiers Records – follows suit with another hit and miss collection of heavyweight rockers.

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