In terms of pop, 1982 was a strong year: Madness took a further step towards songwriting sophistication with their album ‘The Rise & Fall’, Prince made a huge breakthrough with his ‘1999’ double platter of much filthiness and Phil Collins showed us that the previous year’s ‘Face Value’ wasn’t just a one-off solo success when his “tricky second album” spawned a #1 hit single and a few of his best solo tunes.
With the string of superb albums starting with 1992’s ‘From Now On…’ through to 1999’s ‘The Way It Is’, the legendary Glenn Hughes released his most consistent block of work ever. Moving into the new century, both ‘Return of The Crystal Karma’ (2000) and ‘Soul of A New Machine’ were enjoyable enough, but sometimes lacked the overall consistency of those 90s albums. In 2003, Hughes released ‘Songs In The Key of Rock’, an album that pretty much showed off his full vocal range on a collection of brilliantly constructed hard rock tunes.
Two years after the release of the soul tinged ‘Feel’, Glenn Hughes returned with ‘Addiction’ – an album that couldn’t be any more different from its predecessor if it tried. With Hughes in the middle of a work frenzy, ‘Addiction’ found him not only returning to hard rock in a big way, but delivering his heaviest solo album to date.
‘Addiction’ is an album that has weathered all kinds of musical storms and from both a performance and production value still sounds absolutely terrific. Not that it was well received by everyone upon release back in 1996. Some older listeners felt that Hughes had adopted “grunge sympathies”, a lazy, somewhat ignorant claim that seemed to miss the fact that the album is also varied in style. Decades on, such claims seem even sillier, as with the passing of time, Soundgarden – and sadly missed vocalist Chris Cornell – have very much joined the pantheon of classic rock acts and Cornell’s approach to vocals never seemed that far removed from the likes of Glenn Hughes and David Coverdale anyway. [If you’re still blinkered enough to not believe this, the proof is there in tracks like Temple of The Dog’s ‘Call Me A Dog’ and ‘All Night Thing’.]
Following an excursion into blues based material on his self explanatory ‘L.A. Blues Authority Volume II: Blues’, Glenn Hughes returned to the more familiar waters of melodic rock for 1994’s ‘From Now On…’ That album, produced by the legendary Bruce Gowdy, was Hughes’s best work since the Hughes/Thrall release back in 1982. Very much a case of “all killer, no filler”, its melodic stance found “The Voice of Rock” in great shape.
Fans were to get a surprise when Glenn returned just a year later with ‘Feel’. He could easily have kept up momentum with a disc’s worth of similar melodic rockers but, ever the restless spirit, he decided instead to indulge his more soulful side. That’s not so say that it is a complete return to the Stevie Wonder tinged soul and funk of 1977’s ‘Play Me Out’, but the bulk of the material is certainly much slicker than most of Glenn’s previous outings.
As is their tradition, Cherry Red Records and their many associated subsidiaries have dozens of fantastic box sets and reissues lined up for the year’s second and third quarters. As we move firmly into Spring, Real Gone picks a few essentials lurking just over the horizon.