GHOST:HELLO / NIGHT GOAT – Split EP

For those who’ve previously enjoyed either bands’ works, this split between Ohio based metal/noise rock bands Ghost:hello and Night Goat is much more than a mere collection filler. Although in some ways, the Ghost:hello material doesn’t always live up to the promise of their 2019 full length, between one genuinely great studio track and an unmissable live recording, you really couldn’t call their contribution to the release weak in any way. In fact, despite a couple of flaws, their material is more than capable of going head to head with Night Goat’s much darker aspects. …And as for Night Goat themselves, fans will surely love most of the spacious and unsettling material that lies in wait.

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VARIOUS ARTISTS – Vol 4 (Redux)

In September 2020, Zakk Sabbath released their long-awaited ‘Vertigo’ album, on which legendary guitarist Zakk Wylde and friends recreated the Black Sabbath debut as faithfully as possible. Everything was well played, but with the band taking such a traditional stance, there were moments where you’d wonder why you’d ever choose to listen to it over the original recording. There were a couple of tracks of great interest, however, such as ‘Wicked World’ where the band loosened their grip on self-imposed authenticity and added more of their own flair and ‘N.I.B.’ which proved that Zakk Wylde plus and indestructible riff will often result in something great. The album was well received by fans, and despite any misgivings about long-term interest, it was important that the band got a studio recording under their collective belt after working the live circuit for so many years.

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ZAKK SABBATH – Vertigo

Black Sabbath’s debut LP turned 50 years old in February 2020. The band did not release an expensive box set to mark the occasion (they left that for the October anniversary of ‘Paranoid’, where the 5LP reissue was prohibitively expensive and the CD box set was just a quick repackaging of the 40th anniversary edition). There wasn’t even a notable vinyl reissue of the seminal debut recording – but to be fair, as welcomed as that would have been, no vinyl pressings sound anywhere near as good as the original Vertigo spiral label edition. Instead, fans and press were invited in limited numbers to go to a pre-arranged location in London and listen to the album in pitch darkness.

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