Dinosaur Jr. – Live @ Parades De Coura 14/08/2014

Since reconvening the original JayLouMurph line up, alt-rock heroes Dinosaur Jr. have gone from strength to strength. The first three albums released since the 2007 reunion (‘Beyond’, ‘Farm’ and ‘I Bet On Sky’) are a match for anything the three men recorded at the end of the 80s.

There’s a plethora of live footage of the band out there, but finding stuff in good quality can be a challenge. Finding live recordings will well balanced and even audible vocals is even harder, but this show from the ‘Beyond’ tour is absolutely stellar. The band are sloppy as always, but in great form because of that, never despite it. The balance between the guitar and vocals is perfect and the setlist well chosen.

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Hateful Notebook: The Shame of Descendents’ American Fans (a Hypercaffium update)

descendents-hypercaffiumToday sees the release of the Descendents big “comeback” ‘Hypercaffium Spazzinate’. Due to an unfortunate and very offensive choice of title, the album has been met with some controversy in the UK. Whether the band meant offence or not, as soon as the word spasm becomes sp*z (by any variant or spelling), it’s automatically becomes a slur against disabled people – specifically those with Cerebral Palsy.

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EDITORIAL COMMENT: Descendents – Hypercaffium Outdatum Offensium

descendents_miloAt Real Gone, we love the Descendents. We’ve followed the various band members’ careers intensely for decades, through side projects and even through related production work coming from Bill Stevenson’s Blasting Room Studios. We’ve purchased pretty much everything from the Descendents and ALL catalogues and more besides.

In 2016, they announced a return with their first new album in a almost a decade and a half. You’d think we’d be over the moon. After all, we should be thrilled that some of our favourite punk musicians are adding to their already lauded back catalogue, especially after almost giving up hope of any new material…

We’re not. In fact, we’re upset. In fact, we’re utterly offended. In fact, we are so offended we’re BOYCOTTING the new release and we actively urge all punks with any kind of social conscience to think about joining us.

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Prince Rogers Nelson (June 7, 1958 – April 21, 2016)

There are so many things that could be said about Prince, it’s almost impossible to put anything into words. The man was a firecracker of creativity; one of the most prolific artists the world has ever seen. He was an enigma. He was a man whom, in live performance, never seemed to do the same thing twice. Love Prince, or hate him, he was unique. Here was one of the world’s last true untouchable megastars whom, even in the twilight of his career, never played it safe or by the rules. It made him infuriating; it made him bizarrely entertaining, but above all, it made him so different.

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Love, Loss and The Eternal Soundtrack

At an unspecific point in 1979, my dad arrived home from work carrying a long playing record. It turned out to be the new Police album.  At this point, ‘Message In a Bottle’ had been all over the radio and I knew I liked this new music. My mum, on the other hand did not have quite the same enthusiasm; she’s a bit put out that this does not have ‘Roxanne’ on it. Presumably, the album – like others – had been purchased at Barnaby’s, a record shop (no longer there) very near my dad’s then place of employment; a giant tin shed in which he worked with dangerous acidic chemicals and little regard for health and safety. That Police album (‘Reggatta De Blanc’) got played a lot. If I think hard, I can still see Dad sitting by his Fidelity stereo system lifting the needle onto the record and playing the title track over and over and I remember thinking how fitting it was that the word emblazoned on the front looked a bit like the word fiddle. That piece of music must have spoken to him:  decades later, he would still attract my attention by calling my name to the tune of that track.

The sight of my dad coming home with new music in this way was not entirely uncommon.

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