As is traditional at Real Gone every December, we like to count down to Christmas with various clips. 2016 might have been rubbish, but that’s not going to stop us digging up archive videos!
A new clip will be uploaded here every day until the 24th. Hopefully, something will entertain and inspire you to dig out a long neglected album or three…
DEC 01 DEC 02 DEC 03 DEC 04 DEC 05 DEC 06
DEC 07 DEC 08 DEC 09 DEC 10 DEC 11 DEC 12
There’s an old quote that says “writing about music is like dancing about architecture”. For many, though, writing about music has become an important part of pop culture. From the listening notes on the backs of old jazz albums from the 1950s and the great Rolling Stone essays during rock’s 70s boom, to the punk fanzines and the many essays filling the twenty-first century’s super deluxe box sets, writing about music has taken many forms, which sometimes can enrich a listening experience. A good music review can inspire a new purchase or even make a listener seek out forgotten treasures. Maybe the originator of the “architecture” quote – often believed to be Frank Zappa, but actually traced back to US actor/comedian Martin Mull – didn’t actually want to understand. Whatever, the importance of music scribes hasn’t escaped music fan Fraser Marshall.
In an age where we now have access to more music than ever and the rise of the internet has meant there are now more budding scribes out there, Fraser hit upon a plan… A plan not only to highlight some of the best independent music websites, but to also sit down with prolific reviewers and find out what makes them tick.
Not all good ideas come to full fruition, as Fraser explains below. For the first time, you can now read the full interview Lee Realgone gave Fraser back in June ’16. Our many thanks to Fraser for not only being interested in what we had to say, but also for allowing us to publish the interview at Real Gone.
Maybe one day Reviewing the Reviewer will become a reality but, in the meantime, it’s over to Fraser…
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The 10th January 2016 was a dark day in the music world. Singer, songwriter, musical chameleon and legend David Bowie passed away. The strangest thing happened: the people of the internet came together in an outpouring of grief. Grown men cried. Some trolls stopped being angry. From huge fans to casual admirers, Bowie’s death seemed to touch almost everyone in some way. Even people who weren’t fans were more than aware of David’s importance. Love him, like him, hate him: everybody knew something from Bowie’s vast and varied back catalogue.
In 2013, Billy Bragg’s debut release ‘Life’s a Riot With Spy vs. Spy’ celebrated its thirtieth anniversary. Due to the lo-fi nature of the recording – one man, an electric guitar, no overdubs – it could have been recorded at any point during that time. With the younger Bragg possessing an angry voice, a barrage of social commentary and a knack for a lyric, there was always a feeling that he represented every one of us with a left leaning political voice, just one of many reasons why its seven tracks continue to endure.
Saxon are no strangers to the Wacken Open Air Festival. The metal titans have played Germany’s biggest metal festival several times – now into double figures – and have been an almost permanent fixture since 2001.
2016 saw the band returning yet again, this time in support of their twenty first studio album ‘Battering Ram’, released in October 2015.