On September 18th 2026, The Fierce And The Dead will release their fifth album, ‘Regional Theatre’. The band have always been keen to break down musical barriers and not be beholden to one particular style, but the new record is their boldest yet, with arrangements that explore genres previously not associated with the Fierce/Dead sound.
One of the record’s biggest deviations from the “expected” comes via their brand new single, ‘Somehow’.
As our longtime followers will know, we’re always busy here at Real Gone. That said, we’ve rarely been busier than right now, and the last couple of months have served up a whole world of great new sounds.
The Fierce And The Dead’s fourth album, ‘News From An Invisible World’, marked a bold step forward for the band. With that record, they took their already distinctive sound from an instrumental, post-rock sphere into something song based with the addition of Kevin Feazey’s vocals. This had the effect of making a couple of their songs sound a little like a more interesting Queens of The Stone Age with proggy inflections, but it proved they were willing to push boundaries to an extent that might even alienate some of their fans. It was such a dramatic shift, but it was a gamble that paid off; the album was well received by fans and press alike.
Within a couple of seconds, the brand new single from post rock band The Fierce And The Dead commands attention. During the intro of ‘Shake Hands & Exit’, the band couple a riff that’s as direct as their fan favourite ‘Truck’ with a stoner rock edge to create something quite sinister. It also represents one of the heaviest moments in their catalogue to date.
It’s been a great day in Ramsgate. The town has been buzzing and the sun has been gloriously bright. It’s felt like the “seaside season” has finally arrived. At the Ramsgate Music Hall, a sell out crowd are in really friendly spirits. They’ve come out to see The Fierce And The Dead – the Northampton post rock/art rock band who took the prog scene by storm with the release of their third album, 2017’s ‘The Euphoric’. That success came with almost a Trojan horse-like approach: for a while, it seemed as if the band were too much of a heavy/stoner rock phenomenon to click with the proggers, but a bit too strange to find a home amongst the Fu Manchu and Kyuss fanbase, but here they were, finally gaining enthusiastic press and a keen live audience.