For many, Mick Ronson needs no introduction. However, for his much celebrated fame with Bowie’s Spiders From Mars, his associations with Mott The Hoople and Lou Reed and having a lifetime champion in Def Leppard’s Joe Elliott, there’s one aspect of Ronson’s career that’s sometimes overlooked: his 1970s solo recordings.
When Record Store Day first began, it was a great idea. Those who were regulars at independent record shops like Avalanche in Edinbugh and Resident in Brighton could potentially get their hands on very limited, exclusive items. It was a celebration of record buying culture, more than anything. Over the years the event has grown. After all of the major labels sensed a potential cash cow, it increasingly became about reissuing stuff en masse at inflated prices.
Record Store Day has become an event full of mixed feelings. There are now tales of people not actually visiting their local (and favourite) stores on RSD as the crowds of unfamiliar faces have made the experience quite stressful. People queue for hours in the hope of finding one of the many artificially created rarities – a lot of which seem to appear on ebay just hours later at even more inflated prices. In recent years, there have even been dealers “pre-selling” their RSD wares on the internet up to two days before the event that was supposed to get people into their shops.
It’s Hallowe’en. Across Brixton, various young people are getting ready for spooky festivities. It probably means they’re off to the pub in their best Bride of Frankenstein and Corpse Bride finery before hitting the clubs later, but it seems fairly busy for a Tuesday night. There aren’t any skeletons or pumpkins adorning the Electric Brixton, but a cursory look at the merchandising stand still makes the occasion very clear. A massive poster advertising this show featuring power pop legends Redd Kross and sludgy art rock oddballs the Melvins very much resembles a promotional poster for an eighties slasher flick. As far as gig posters go, it’s incredibly smart, although no more of a spook-show concept should be looked for, especially as the night progresses.
Teaming The Zeros’ vocalist Victor Penalosa with The Trebles’ guitarist Xavier Anaya, garage rock band The Phantoms released a full length on Rum Bar Records back in 2015. Tapping into various retro grooves and kicking off with the superbly trashy bar-room workout ‘Baby Loves Her Rock ‘n’ Roll’, the record was well received by the underground press. Two years on, the band reunited and recorded a bunch of no-frills cover tunes.
On December 1st 1976, UK TV history was made. On Bill Grundy’s Today show, the Sex Pistols and a couple of their associated chums shocked a nation. Their behavior was quickly seen as inappropriate for most of the 1970s public and by the time their interview concluded with Steve Jones calling Grundy “a fucking rotter”, things had moved from merely “inappropriate” to “causing outrage”.