With the decade coming towards its end, 1988 was a genuine mixed bag. Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.
After three years of brilliant pop frivolity, 1987 has a huge contrast in mood with albums and singles that seem far more thoughtful and downbeat. U2 turned in a career best with ‘The Joshua Tree’; Pink Floyd made a huge comeback with the moody ‘A Momentary Lapse of Reason’ and from a more alternative perspective, Sisters of Mercy and The Jesus & Mary Chain made huge waves with epic goth sounds.
Few people could argue against 1984 being one of history’s finest years for pop music. Above all else, the mighty Frankie Goes To Hollywood came and gave pop a hefty kick up the arse with a combination of great tunes and greater controversy. They were the first band since the 60s to score three #1 hits in a row, but each one – ‘Relax’, ‘Two Tribes’ and ‘The Power of Love’ were deserving of their success. Each one sounds as good as ever and in the case of ‘Two Tribes’, there’s still a real edginess you’d think would be long gone.
Looking back, it’s easy to see that 1983 was a massive year. It represents the point where a few of its stars were making huge steps to being the decade’s megastars. Five years into his career, Prince had finally succeeded in gaining worldwide success with his ‘1999’ album (a double platter of much filthiness); with their ‘War’ album, U2 made the leap from successful rock band to being an act with much bigger potential and Madonna showed early signs of being more exciting than your average pop performer.
For a lot of people, 1981 is a year where the 1980s really found its feet. It’s a year where fewer things carry a feel of the 70s; it’s a year where the New Romantics and the new wave of synth pop stars dominated the charts. As well as being a solid year for pop, 1981 also found the New Wave of British Heavy Metal reaching its crescendo.