Looking back, it’s easy to see that 1983 was a massive year. It represents the point where a few of its stars were making huge steps to being the decade’s megastars. Five years into his career, Prince had finally succeeded in gaining worldwide success with his ‘1999’ album (a double platter of much filthiness); with their ‘War’ album, U2 made the leap from successful rock band to being an act with much bigger potential and Madonna showed early signs of being more exciting than your average pop performer.
This evening at Shepherds Bush Empire has been billed as a double headline show between Night Ranger and Skid Row. However, it isn’t long after Night Ranger take the stage, it becomes clear that the event is nothing of the sort. Night Ranger’s set design is limited to a few extra Marshall amplifiers which are placed in the middle of the stage, rather than at the back. Kelly Keagy’s drumkit looks awkward, placed on stage left (audience right) and facing towards the middle rather than facing the audience. The band, in turn, are only given about three quarters of the stage to work with. Somewhere behind the amps, Skid Row’s drum kit sits in wait. So much for “double headliner”: Night Ranger have been given a support band’s set up – and that’s before we get to the massive issues with their performance.