Paul Di’Anno’s contributions to the first two Iron Maiden albums would be enough alone to secure him a legendary status. His rough edged, almost punky style did so much to give those now classic recordings a real energy, and both ‘Iron Maiden’ and ‘Killers’ have continued to receive a massive amount of love, even decades after fans heard them for the very first time.
At Real Gone, we very much consider ourselves Iron Maiden fans. Their best albums still represent some of the finest trad metal, and their best live shows – particularly those that look back through the past – create brilliant shared experiences for the fans.
Given how well loved their earlier material continues to be, it seems a pity that the band haven’t really revisited the archives very often. A few live shows appeared in the hard to find and expensive Eddie’s Archive box set, but save for a welcome CD reissue of ‘Maiden England’, very little from the past has circulated.
Covers albums can be a hit and miss prospect. For every band willing to take risks, there are three dozen hacking out uninspired versions of other peoples’ songs in the name of a quick buck. As proven by Jorn Lande, metal based covers albums can be an even trickier thing to pull off successfully, since not everything needs – or even suits – being “heavied up” in the name of entertainment. In fact, the experience of hearing Lande wail his way through Don Henley’s ‘New York Minute’ could be enough to put you off metal oriented covers albums for life…
Every so often, a record producer comes along whose mastery of the studio takes on a legendary status. The early years of pop showed off the technical talents of George Martin and Phil Spector; the world of disco gave a platform to Quincy Jones and Geogio Moroder (Quincy’s hand in making Michael Jackson’s ‘Off The Wall’ a global success cannot be understated – it’s a stunning sounding record) and the rock scene gave Martin Birch plenty to apply a distinctive style.
With the decade coming towards its end, 1988 was a genuine mixed bag. Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.