In September 2021, right at the point the UK found itself between two pandemic lockdowns, extreme metal band Cult Burial released their ‘Oblivion’ EP. A genuine musical onslaught, its three tracks combined elements of thrash metal, technical death metal and hardcore to create an absolutely punishing listen – in the best possible way. For lovers of such extremity, it was a pure joy – an example of a band taking familiar traits and pushing forward into new, complex musical landscapes. If you could bend your ears past the noisiest elements, each of the arrangements showcased a real sense of adventure, proving these musicians were more than a cut above your average death metal band.
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Tag Archives: black metal
NECROVESCENT RUINER – Untouchable Faith Decay
Occupying a space somewhere between an extended single release, an EP and an album, black metal outfit Necrovescent Ruiner absolutely goes for broke on their 2023 recording ‘Untouchable Faith Decay’. A concept piece, it features just one singular twenty seven minute number. In some ways, and on its surface, this presents the ultimate extreme metal assault; in others, it’s a very progressive way of tying together various musical moods – and for those able to tune in and spend time deconstructing the arrangement, it actually plays like four or five separate pieces, despite not including separate tracks.
CROWN OF MADNESS – Elemental Binding EP
Canadian duo Crown of Madness released their debut EP in March 2022, and for those paying close attention to the metal underground, it introduced a band with an interesting approach to an extreme sound. Their harsh combination of old school death metal and a sheet of black metal coldness would be enough to please a lot of genre fans, but occasional nods to goth and doom lent their more brutal aspects a little balance via some strangely mournful riffs.
SCURÌU – Wilhelmina EP
A one man project from Italy, Scurìu set out to convey the darkest musical interests of its creator. An early demo released during the pandemic lockdown of 2020 introduced a small group of listeners to a sound that blended classic doom metal with traces of black metal harshness, and a vocal that almost seemed to channel Love Among Freaks’ ‘Berzerker’. If it weren’t for the presence of some great riffs and atmospheric spoken word passages, it might have even sounded like a comical pastiche of the extreme subgenres, but somehow – despite a wilfully lacking budget, truly home grown stance, and lack of actual songs – the recordings had something about them that pulled in the listener. It says a lot about how durable Cathedral-esque riffs can be, and how extreme metal’s insular and sometimes truly claustrophobic feel will hold up against less than ideal recording circumstances.
DIMWIND / BREATHS – Seasons (split EP)
At the beginning of 2022, the world found itself in complete turmoil. Humanity was still battling against the coronavirus pandemic – something that’d threatened to kill everyone – and an escalating war between Russians and Ukraine led to a worldwide tension, fuelled by a power hungry dictator with his finger hovering over the metaphorical self-destruct button. With everyone effectively amid a new cold war, there didn’t seem many reasons to remain positive. Adding to this palate of complete dread and fear, environmental issues were still of a massive concern. The world was now a ticking time bomb in more ways than one.
Drawing attention to those environmental issues that appeared to have taken something of a backseat during the year’s first quarter, US one man band Breaths and Sweden’s Dimwind teamed up for a split release featuring material specifically focusing on the vitally important issue. Amid the two lengthy workouts on their ‘Seasons’ EP, the message of eco-preservation is sometimes telegraphed almost as clearly as the massive riffs themselves, and the results are both harrowing and intensely brilliant in equal measure.