EXIT EDEN – Femmes Fatales

In 2017, Phantom Elite’s Marina La Torraca, League of Distortion’s Anna Brunner, Trillium’s Amanda Somerville and Clémentine Delauney pooled their collective vocal talents to create Exit Eden, a symphonic metal supergroup which aimed to bring a very theatrical slant to several rock and pop classics. Their ‘Rhapsodies In Black’ album – released that same year – showed how brilliantly 80s tunes like Visage’s ‘Fade To Grey’ and ‘Heaven’ by Bryan Adams would work when reworked in a Nightwish-esque mould. The project’s real magic came through, however, when the performers and their assembled session band put a heavier slant on (then) more contemporary pop material like Katy Perry’s brilliant ‘Firework’ and Lady Gaga’s ‘Paparazzi’.

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REAL GONE’S ADVENT CALENDAR 2020

Between a world of cancelled and postponed gigs and time spent in lockdown, 2020 has been a troubled year, but nevertheless, time marches on.  Unbelievably, we’ve reached December and our traditional countdown to Christmas has begun.

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The Great 80s Project: 1988

With the decade coming towards its end, 1988 was a genuine mixed bag.  Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.

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Love, Loss and The Eternal Soundtrack

At an unspecific point in 1979, my dad arrived home from work carrying a long playing record. It turned out to be the new Police album.  At this point, ‘Message In a Bottle’ had been all over the radio and I knew I liked this new music. My mum, on the other hand did not have quite the same enthusiasm; she’s a bit put out that this does not have ‘Roxanne’ on it. Presumably, the album – like others – had been purchased at Barnaby’s, a record shop (no longer there) very near my dad’s then place of employment; a giant tin shed in which he worked with dangerous acidic chemicals and little regard for health and safety. That Police album (‘Reggatta De Blanc’) got played a lot. If I think hard, I can still see Dad sitting by his Fidelity stereo system lifting the needle onto the record and playing the title track over and over and I remember thinking how fitting it was that the word emblazoned on the front looked a bit like the word fiddle. That piece of music must have spoken to him:  decades later, he would still attract my attention by calling my name to the tune of that track.

The sight of my dad coming home with new music in this way was not entirely uncommon.

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