After three years of brilliant pop frivolity, 1987 has a huge contrast in mood with albums and singles that seem far more thoughtful and downbeat. U2 turned in a career best with ‘The Joshua Tree’; Pink Floyd made a huge comeback with the moody ‘A Momentary Lapse of Reason’ and from a more alternative perspective, Sisters of Mercy and The Jesus & Mary Chain made huge waves with epic goth sounds.
Van Morrison has been on somewhat of a creative role of late. He only released his last studio album ‘You’re Driving Me Crazy’ (a collaboration with jazz man Joey DeFrancesco in July, but it’s been confirmed he’ll release new studio material before the end of 2018.
Van Morrison is a legend. Not only that, but he’s a prolific legend.
Between launching his solo career in 1967 and May 2018, he’s recorded a staggering 39 studio albums. The last five of those have been released within a three year stretch.
While so many people are keen to view Van’s 70s work as the golden age, some of his later works are every bit as good as those famous early releases. 2012’s ‘Born To Sing: No Plan B’ and 2017’s ‘Roll With The Punches’ in particular find Morrison in particularly good voice, backed by a lot of blues based material. Both are albums that far outshine anything any of Van’s potential peers – Dylan, Neil Young, Clapton – could muster during their twilight years.
Unbelievably, the album will be the veteran vocalist’s third album of new studio material in just seven months.
In March 2017, we created a playlist of some of our favourite 70s tunes. In an effort to shake up our spare time listening, the playlist included none of the usual stapes. There were no tracks by Deep Purple, Black Sabbath, Thin Lizzy or Led Zeppelin and yet we still managed to create a golden listening experience spanning several hours.
The experience got us thinking. What if we were to create extensive playlists of music we liked – or maybe brought back fond memories – for each year of the decade? Would one year stand out above all others? With this remit and using only two or three tracks per chosen album (maybe stretching to one extra in the instance of a double platter), we set to work.