THE REAL GONE SINGLES BAR #138

With January now underway, this visit to the Singles Bar offers a great and varied selection of new and recent sounds. We’ve got a pair of power pop bangers, the return of some industrial legends, some alternative electronica from a band making their debut in 2026, and more besides. There should be more than enough here to remind people that Real Gone is so much more than “a metal site”, setting us off with best foot forward for the coming year! As always, we hope you find something new to enjoy…

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THE REAL GONE SINGLES BAR: A NEW YEAR’S EVE LOCK IN 2025

We’ve reached the end of another year, and the Real Gone Singles Bar has gone from strength to strength. As is always the case, we’ve received far more submissions over the past six months than we could possibly hope to cover, and ended up with a lot of great tracks that just didn’t find a home in the original weekly columns. Some things are too good to pass by, though, so as is traditional, we’ve rounded up twenty of the best tracks that didn’t get covered upon release and created the Singles Bar New Year’s Eve Lock In! We’ve got a great new wave inspired track, a couple of absolute bangers from the metal world, a little Americana, some jazzy yacht rock, funk, power pop and goth. With the help of a couple of singer-songwriters along the way, we hope there’s something in this selection for almost everyone as we count down to midnight…

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VARIOUS ARTISTS – It’s A Wicked Cool Christmas!

Love it or hate it, Christmas music is big business – especially in the US, where it seems that almost every great artist has recorded something festive for posterity. Apparently, if you’re a country artist, recording a Christmas album is the law. The amount of time and money invested in festive tunes is huge, and that becomes rather bewildering when you consider that the music basically has a shelf life of four or five weeks a year.

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THE REAL GONE SINGLES BAR #134

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past couple of weeks. This time around, we bring you an unexpected cover tune, two slices of top drawer power pop, and among other things, a great track that bends elements from various different genres into something genuinely interesting. As always, we hope you find something new to enjoy.

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DROOL BROTHERS – Psychology

Around the turn of the millennium, the oddly named Drool Brothers delivered a self-titled debut LP that shared a world of different rock and funk influences to create an interesting listen. ‘Fullerton’ somehow managed to fuse baggy-centric rhythms, garage rock guitars, psychedelic elements and semi-spoken vocals without sounding too messy; ‘Happiness Fair’ filled a couple of minutes with heavily treated voices and dance-y beats; ‘Can’t Lick It’ threw a world of fuzz guitar over an upbeat groove and peppered with it with a world of surf tinged melodies and a keyboard sound that felt as if it paid homage to ‘Schoolhouse Rocks’; ‘Blue Velvet Pig Mask’ sounded like a Funkadelic tribute, by way of a rock band deep into experimentation. Better yet, the album’s stand out, the effortlessly cool ‘Lay With It’, worked keys and horns into a soul groove that paid homage to Jr. Walker & The All Stars. There might be many words to sum up such a record, but “eclectic” fit the bill better than most, and while it didn’t always sound like the creative endeavours of the same band, somehow, the Brothers managed to make it all work.

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