The Morning Line’s 2019 LP, ‘North’, was an absolutely terrific album. Reawakening the sounds of ‘Girlfriend’ era Matthew Sweet, Soul Asylum’s best major label recordings and even a the productions of Sean Slade & Paul Q. Kolderie, it felt like a musical love letter to the 1990s. Retro, yet still somehow fresh, it’s melodic and jangly songs really captured the best of the band’s obvious talents.
Three years on, their first release for Justine Couvault’s Red On Red Records is another musical treat. A seven song collection, ‘Scene’ taps into the “mini album” format – something that seems to have been overlooked since the early 90s – which means there’s far less opportunity for the listener’s attention to wander, but still enough scope for a little variety along the way.
Back in 2019, The Morning Line released their third album ‘North’. With its retro sound calling back to some of the 90s college rock greats, it was easy to draw parallels with the album’s best material and past classics by Buffalo Tom, Soul Asylum and Third Eye Blind. It became one of that year’s best DIY releases and gained praise from all seventeen people that actually heard it. A follow up single ‘Back On Earth’ appeared at the beginning of 2021, and although it showed off a more sedate side to the band with hints of ‘Behind The Sun’ era R.E.M. at its core, the same retro charms were more than present, cementing Stephen Smith’s reputation as a fine songwriter.
It’s been a great year at Real Gone. Not only did the website celebrate its tenth birthday, but we got more requests and submissions for review than ever! This year, everything felt like it had truly come together and paved the way for the next phase of the website’s lifespan.
This year, Real Gone received hundreds upon hundreds of review items and digital streams. Obviously, there isn’t enough time to review everything…but from the mountain of stuff we got to listen to and review, there was a lot of great music.
Combining the talents of singer-songwriter Stephen Smith and Bellyachers guitarist Brian Mello, The Morning Line are a jangling power pop/melodic alt-rock band heavily indebted to 90s sounds. They claim to appeal to fans of Ted Leo, Teenage Fanclub and a whole bunch of stuff in between and just one listen to their 2019 album ‘North’ is all it takes to realise that not only do they recycle a lot of influences with love, but every so often, they’re more than capable of hitting the listener with a very catchy chorus.