The self-titled debut album from Portable Radio was one of 2021’s more welcome surprises. Coming at the end of a year where most people not employed as a Conservative MP spent most of their time rattling around indoors, the British band’s brand of retro music hit like a little ray of sunshine, piercing through the gloom. Their big single ‘Should’ve Bounced’ – a tune loaded with stabbed pianos and chiming guitars – gave a good indication of the album’s finer wares with its infectious pop inspired by Jeff Lynne but, even deeper into a great record, the Portable Radio brand of retro pop held firm. With other tunes tapping into the same influences beloved by Teenage Fanclub, and material sounding like a marriage between The early 70s Hollies and the poppier end of Supergrass, the album offered something great for most lovers of AM radio inspired pop.
Tag Archives: power pop
CHINESE TELEPHONES – Outta My Hands EP
Back in the 00’s, US punks Chinese Telephones released a few split EPs and an album on It’s Alive Records (home of Gateway District, The Methadones, City Mouse and others) before calling time before the end of decade. They received some positive press, but in punk terms, never seemed to be mentioned as often as they deserved to be. This had as much to do with an over-subscribed scene as anything else. For those outside of Milwaukee, chances are that the only real encounters you had with the band back then came courtesy of the audio widget on the Last FM website which, in a pre-Spotify age, would happy drop tracks from the Chinese Telephones album between better known material from Teenage Bottlerocket, The Copyrights and The Lawrence Arms.
THE REAL GONE SINGLES BAR #22
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. As always, the amount of submissions has been staggering, and we’ve cherry picked some of our favourite tracks for your enjoyment. This time around, we’ve got a soundtrack worthy tune, some top notch power pop, a fine tribute to a Boston heroine, and more besides. We hope you find something to enjoy!
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KURT BAKER – Rock ‘n’ Roll Club
Ever since the release of his ‘Brand New Beat’ album in 2012, Kurt Baker has been synonymous with a party-centric brand of power pop. Taking a huge influence from Joe Jackson, Shoes and a host of early 80s skinny tie wearers, he added his own voice to a classic sound on a run of enjoyable albums. Each new LP came with a certain expectation of something familiar, but that’s not to say there haven’t been a few musical surprises. 2018’s ‘Let’s Go Wild!’ showed off a more abrasive edge, increasing a few garage rock influences, and 2020’s ‘After Party’ – released mid-pandemic, making promotion more difficult – mixed the solid power pop fare with tunes that drew from New Romantic sources, and even dabbled with lounge jazz. ‘After Party’ wasn’t just Baker’s most adventurous album to date; it was also his best.
Over the following year, Kurt released a couple of stand alone digital singles; he collaborated with Italian power poppers Radio Days and US garage rockers Indonesian Junk; he played a pivotal role on the second K7s LP, and even released an excellent EP with Spanish punks Nuevo Catecismo Catolico. He might have been in danger of spreading himself too thinly by that point, but sessions for a new Kurt Baker Band album were also undertaken over the following year, and the resultant tunes – as featured on 2023’s ‘Rock ‘n’ Roll Club’ – are very strong.
SADLANDS – Sadlands EP
Featuring musicians who’ve also had connections with Ellen & The Degenerates, Choke Up and Answering Machine (not to be confused with Manchester’s The Answering Machine), Sadlands are an indie punk/power pop outfit from the US, whose stock sounds often lean towards the feel-good. This four track debut is big on riffs, but even bigger on alternative melodic hooks that often allow great vocals to shine.